Sleep is the expression of the unconscious in the human psyche. Therefore, as an element of an artistic work is one of the ways to create an image, the ability to show the inner world of the hero, his dear thoughts hidden from him .

The role of dreams in the disclosure of the inner world of Skolnikova

Each of these episodes has its own "twin" in real life.

• The first dream of the heroe is the reflection of his inner state before the murder, the state of the painful perception of injustice of the world, the peace of humiliated and offended. Sleep about the murder of a horse (in the perception of the child) characterizes the inhumanity of this world, as well as the kindness of the Skolnikov himself, has a composite twin - the death of Katerina Ivanovna ("Klyach");

• Second Sleep Skolnikova (on beating a quarterly apartment hostess Hero), on the one hand, the continuation of the topic of the lawlessness of this world, on the other hand, the monitoring of the future cut off the hero from people, i.e. His punishment. Composite "Double" - the killing of the old woman of the percentagers and licable.

• The third Skolnikov sleep (re-murder of the old woman) is an analogue of real murder, the secondary stay of the deed. The conquest of the old woman (the literary double of the old Countess from the "peak lady" A.S. Pushkin) is a symbol of the defeat of the theory of the hero.

• The last dream of the hero (he sees it at the Katorga) - the allegorical embodiment of the realization of the theory, the symbol of the release of the hero from the power of theoretical constructions, reviving him to life. The literary analogue is the philosophical treatise of Voltaire about madness of mankind. This dream does not have a real composite twin, which is symbolic.
  The hero refuses the theory - it cannot be realized.

Skolnikov's dreams are a kind of dotted line, which at different levels reflects the ideological and artistic content of the novel.

Materials are published with the author's personal permission - Ph.D. Masneva O.A. (See "Our Library")

In his novels, F. M. Dostoevsky reveals the complex processes of the inner life of their heroes, their feelings, emotions, secret desires, experiences and fears. In this context, the characteristics of the characters acquire special significance. Sleep, like a composite element, can perform various functions and carry its special semantic load. Let's try to figure out what the role and importance of dreams in the novel "Crime and Punishment".

The first time Dostoevsky introduces a dream in the first part of the work, even before the murder of the old woman. Slowing out on the street because of a painful state and drunk on the eve of a glass, Raskolnikov sees their childhood: a little knowing with his father walks outside the city in a bright festive day, but soon I idyll violates one scary episode. The young man of the Molik, coming out of the Kabaka, begins to whip his "skinny savory klyachonka", which is not under the power of the cargo in the form of a short ten man, and then finishing it with iron scrap. The first thing that lies on the surface is what pure children's Skolnikov nature protests against violence. Little Rodion runs up to the klyachonka and kisses it into a bloody face, and then with his cams rushes for a broken "horse" Molts. The fact that it is precisely a child look at the situation is that it is no coincidence. Children's consciousness is clean and unsubscribed by any theories, the child lives - with a heart. And in the soul of Raskolnikov, this child struggles with his mind that gives rise to so destructive casuistic theories. Here is the duality of nature of the main character. About the painful splitness of Skolnikov also testify the two opposite images from his sleep - the church and the Kabak. Kabak - is a symbol of what people are ruined, this is the focus of evil, debauchery, recklessness, this is the place where a person loses his human appearance (it is no coincidence that morally dodged Svidrigaylov - frequenter of kabaks and other "cluck", because one of the signs of depravity is the lack of a certain aesthetic feeling). The church personifies the whole best that is in human nature. It is characteristic that the Church loved to walk to the church, and Kabak always made it a "unpleasant impression." Thus, the Kabak and the church in the metaphorical plan are moral guidelines of a person in real life. It is symbolic that Rodion is delayed at the Kabaka along the way to church and does not fall into it. In my opinion, it can be interpreted in two ways. For example, this may mean on the one hand that the splitters turned from the true path, and on the other, that he did it still not in his will, but in the name of the horse Molka, symbolizing all "humiliated and offended." It is noteworthy that with this episode of Sleep Skolnikova echoes the bitter exclamation of Katerina Ivanovna: "Klyach leated! Trank-AR!".

However, it is worth it in more detail on the horse and its symbolism. In addition to the fact that it represents, whose benefit is fighting, she symbolizes that the most "useless loss", the old woman who has become a victim. That is, this dream predicts the very bloody events in the future. Therefore, waking up, the Raskolnikov rejects from their "damned dreams" and wonders: "Yes, really, really, I really take an ax, I will hit the head, smake her skull ... I will slide in a sticky warm blood, hack the castle in a sticky blood , steal and tremble; hide, all blood flooded ... with an ax. Lord, really? " And if the horse is an old-year older, then it will be logical to assume that Molka is a splitter. And then the reasoning again affects the theme of the duality of the Raskolnikov that it can be a sinless naive child and a terrible killer. It is noteworthy, in my opinion, and the fact that the name of the Molka appears in the text more than once. Indeed, between Molts from Sleep and Molts, created in a crime, you can take a parallel. With the first Molka Raskolnikov, the perfect atrocity relates to the second Molka, it is interesting that Porphyry Petrovich mentions that Molka from Raskolnikov. Surely, this is not a simple coincidence, but a conscious author's reference to the flower hero. Thus, the second Molka seems to make an example of Raskolnikov, shows how he needs to enter the situation. Molka although it appears only in several episodes of the novel, its image is very important. He is a symbol of voluntary suffering, only through him on Dostoevsky you can redeem my sins, clean and morally reborn.

She sees his third dream of the Raskolnikov already at Katorga. In this dream, he, as it were, rethinking the events that occurred, his theory. Raskolnikov seems to be as if the whole world was convicted of "terrible ... by marine ulcer." There were some new microscopic beings, Trikhins, infecting people and making them barely, do not hear and do not understand others, considering only their opinion absolutely faithful and the only right. Leaving his classes, crafts and agriculture, people kill each other in some meaningless malice. Fires begin, hunger, digest everything around. Only a few people, "clean and elected" can be saved all over the world, but no one has ever seen them. This dream is the extreme embodiment of the individualistic theory of Raskolnikov, showing the threatening results of the detrimental effect of it on peace and humanity. Scarcterno that individualism is now identified in the mind of Rodion with non-innovation and madness. In fact, the idea of \u200b\u200bthe hero about strong personalities, Napoleons, which "everything is permitted," is now present to him the disease, madness, turbidity of the mind. Moreover, the spread of this theory around the world is what causes the greatest concerns of Skolnikov. Now the hero is aware that the idea of \u200b\u200bhim is opposed to the human nature, mind, divine world order. Understanding and accepting all this with his soul, the splitters are experiencing moral enlightenment. It is not for nothing after this dream, he begins to realize his love for the Son, who opens his faith in life.

Another person besides Skolnikov, who sees dreams, - Svirigaylov. And it is noteworthy that this fact to some extent determines their dough. Conscience to the end does not leave one, nor the other. On the eve of the suicide, Svidrigayilov sees a few dreams, one goes into another. It is essential that the transitions of Svidrigaylov from one sleep to another have their inner logic: "... In dreams there is a deprait theme increasing from the first to the third"; In the first dream, where the mouse appears, the topic of debauchery "is given only by the hint, only a feeling of slippery, nasty", in the second dream there is a drowned girl, "the victim of debauchery", in the third dream - a five-year-old "girl", "debauchery completely mastered it" . The image of a five-year-old, which emerged in Svidrigaylov's dream, is deeply symbolic, because it embodies the possible limit of the human fall, which is terrifying even Svidrigaylov. This dream can also characterize Swidrigaila as a person who is not able to revive. As the age of his "victims" varies from twelve to sixteen, it seems it is quite possible that one day it can "lower the bar". Children for Dostoevsky - Sacred, so it is not difficult to guess that the deeds of Svidrigaylov are regarded by the author as hardly the worst sin. And perhaps suicide - there was an ethnic way out of this hell, in which hero himself himself and drove.

In the composition of the novel F.M. Dostoevsky "Crime and Punishment" Skolnikov's dreams occupy the most important place, being an integral part of building a work. Dreams in the novel are the reflection of the inner world of the hero, his ideas, theories, thoughts hidden from his consciousness. This is an important component of the novel, which gives the reader the opportunity to penetrate into the inner world of Raskolnikov, understand the essence of his soul itself.

Dreams in psychology

The study of a person's personality is a very subtle science that is balancing between accurate installations and philosophical conclusions. Psychology often operates with such mysterious and ambiguous categories as "consciousness", "unconscious", "psyche". Here, for clarification of a person's actions, his inner world is dominated, hidden sometimes even from the patient himself. He drives his immoral thoughts and feelings deeply inward, I am still confessed to them not only around them, but even myself. This causes a mental imbalance, contributes to the development of neurosis and hysteries.

To solve the state of a person, the true causes of its moral sufferings, psychologists often use hypnosis or breakdown of dreams. It is a dream in psychology - this is the expression of a person unconscious in the psyche, his depressed "I".

Sleep as a reception of psychoanalysis in the novel

Dostoevsky is a very subtle psychologist. He seems to turn inside out the soul of his heroes in front of the reader. But it does not clearly, but gradually, as if drawing a picture in front of the audience, on which everyone should see special patterns. In the work of "Crime and Punishment", a dream is a way to disclose the inner world of Raskolnikov, his experiences, emotions and a doom. Therefore, it is so important to determine the content of Raskolnikov's dreams, their semantic load. It is also necessary in order to figure out both in the novel, and in the identity of the hero.

Church and Kabak

Throughout the work, Rodion Romanovich sees dreams five times. More precisely, three sleep and two semi-breeds occurring on the verge of consciousness and unreality. Dreams Skolnikova, summary which allows you to catch the deep meaning of the work, allow the reader to feel the inner contradictions of the hero, his "heavy reflections". This is happening in the case of the first bed, in which the internal struggle of the hero is going to some extent. This is a very important point. This is a dream before the killing of the old woman. It needs to focus on it. This is a system-forming episode, from which, as from a stone, flew into the water, the waves are diverged on each page of the novel.

The first Skolnikov dream is the generation of the painful imagination. He sees him in his "room" after he met a drunken girl on the boulevard. Sleep returns Rodion in distant childhood when he lived in his hometown. Life is so simple, usual and boring, that even on holidays nothing is able to dilute the "sulfur time." Moreover, Dostoevsky's sleep was depicted in gloomy, repulsive tones. The contrast creates only the green dome of the church and the red and blue shirts that belong to drunken men.

In this dream there are two places that are opposed to each other: Cabaccy and church in a cemetery. The church in the cemetery is a specific symbol: how life begins his own man in the church, and ends it in the same place. And Kabak, in turn, is associated with Rodion with anger, lowness, hospitality, drunkenness, mud and depravity of his inhabitants. The fun inhabitants of the Kabaka like the surrounding and the smallest bullies cause only fear and disgust.

And the two of these cores - the Kabak and the Church are not by chance at a short distance from each other. This Dostoevsky wants to say that a person whatever he is disgusting can at any time stop low life and turn to the long-life God. To do this, just need to start a new, "clean" life, life without sins.

Old Children's Nightmare

We now turn out not to the symbols of this sleep, but to the very Rodion, which in a dream plunged into the world of his childhood. He again experiences a nightmare, whose witness was in early childhood: Rodion, along with his father, heads on the cemetery to visit the grave of a small brother who died at 6 months of age. And the path they ran through the zabak. Kabaka stood a breakdown horse, which was harnessed in the cart. A drunk owner of the horse came out of the Kabak and began to invite his buddies to ride on the cart. When the old horse did not move from a place, Micall began to whip it with the whip, which he then changed the scrap. After several blows, the horse dies, and Rodion, seeing it, rushes on him with fists.

Analysis of the first sleep

It is this in the novel "Crime and Punishment" a dream is the most important component of the whole novel. It allows for the first time to see the readers of the murder. Only the murder is not conceived, but real. In the first dream, the meaning is laid, which carries a huge semantic and symbolic load. He clearly demonstrates where the hero has evolved a sense of injustice. This feeling is the generation of the quest and mental suffering of Rodion.

Only one in the work of "Crime and Punishment" Skolnikov's sleep is the millennial experience of oppression and enslave each other. It reflects the cruelty, which is managing the world, and with nothing comparable longing in justice and humanity. This thought with affecting skill and clarity F.M. Dostoevsky was able to show in such a short episode.

Second Sleep Skolnikova

Interestingly, after the Raskolnikov saw the first dream, he no longer sees dreams anymore, except for his visiting vision - a desert, in which there is an oasis with blue water (this is a symbol: blue - color of hope, color of purity). The fact that splitters decides to get drunk from the source, indicates that not all is lost. He can still refuse his "experience", to avoid this terrible experiment, which must confirm his crazy theory that the murder of the "harmful" (bad, gravily) person will certainly bring relief to society and makes the life of good people better.

On the verge of unconscious

In a feverish fit, when the hero is not much concerned about nonsense, the splitters see how the owner of his apartment allegedly beats Ilya Petrovich. It is impossible to allocate this episode that occurred in the second part of the novel, in a separate dream, as it is more "nonsense and auditory hallucinations." Although this to some extent suggests that the hero is to prefers, which will be a "renewent", "outcast", i.e. At the subconscious level, he knows that he is waiting for punishment. But also, perhaps this is the game of the subconscious, which speaks about the desire to destroy another "trembling creature" (hostess of the apartment), which is also like an old-year-older, is not worthy of his theory, live.

Description of the next Sleep Skolnikov

In the third part of the work of Rodion, who was already dealt with Alena Ivanovna (also killing the innocent Lizaven Ivanovna), another dream is dreaming, gradually turning into nonsense. Another dream of Skolnikov is like the first. This is a nightmare: the old woman in a dream is alive, and for fruitless attempts to kill himself, she meets the Raskolnikov laugh, laughter "sinister and unpleasant." Raskolnikov trying to kill her again, but Homon crowd, which is clearly tuned unfriendly and viciously, does not allow him to do a matter. Dostoevsky this shows the torment and throwing the main character.

Psychoanalysis of the author

This dream fully reflects the condition of the hero, which was "was broken," since his experiment showed him that he was not able to overtake through human lives. The laughter of the old woman is laughter over the fact that the Raskolnikov was not "Napoleon", which can easily juggle with human destinies, and an insignificant and funny person. This is a peculiar triumph of evil over failing to destroy the conscience of Raskolnikov. Purely composite this dream is a continuation and development of the reflection of Raskolnikov over its theory, according to which he shared people on the "creatures of trembling" and those who "right". This inability to step over through a person and will bring Rodion to the drawing, to the possibility of "reborn from the ash".

Last Son.

The last in the novel "Crime and Punishment" Skolnikov's dream is another peculiar half-hearth, in which you need to look for hope for the possibility of moving the hero. This dream eliminates Rodion from doubts and searches, so tormented it all the time after the murder. The last Skolnikov dream is a world that should disappear due to illness. As if in this world there are perfumes that are endowed with the mind who possess the will, capable of subordinate to people, making puppets, stand-noted and crazy. And the puppets themselves after infection consider themselves truly smart and unshakable. Infected people kill each other like spiders in a bank. After the third nightmare, Rodion is healed. It becomes moral, physically and psychologically free, healed. And he is ready to follow the advice of Petrophry Petrovich, is ready to become the "Sun". It approaches the threshold for which a new life lies.

In this dream, Raskolnikov looks at his theory with completely different eyes, now he sees that she is inhuman, and regards it already as a dangerous for human race, for all mankind.

Healing

Thus, Raskolnikov rethought all his life, cooling its worldview. The main achievement of Skolnikova is his refusal of insolvent theory. His victory is that he was able to get rid of delusions. The hero gradually approached spiritual and moral perfection, i.e. Passed the way, even difficult, painful and filled with suffering, but still clearative and spiritually reviving. It is the suffering of Dostoevsky - this is the path to the present happiness.

Final Accord

The article described the Skolnikov dreams briefly and compressed, but as much as possible, without loss of important points. These dreams are very important in the content of the work. They, as if thread, associate events in the novel. It is the descriptions of dreams that contribute to the fact that the reader is extremely concentrated on the plot of therapy, on the image system that the author introduces. Hero dreams prepare the reader to subsequent scenes and are of great importance for understanding the main ideas of the novel. They are also significant for the work in the artistic and art.

In addition, dreams are very important to help identify psychological condition Rodion, his feelings and emotions. The author through the dream of the main character conducts an important psychological analysis. Sleeping Skolnikov, in which he sees himself a child, allows us to understand his spiritual well-being. He then tried to compare his aversion to the murder of a horse with sensations from the real murder, which was conceived. Perhaps if he listened to his feelings, he could avoid an internal split, which was the terrible tragedy for him. In addition, the first dream clearly makes it clear to the reader that the splitters are not a disappearance of the people that he is inherent in compassion and the desire to protect the weak. This allows you to look at the "submerged killer" at a different angle.

Dreams in the novel have their own individual functions and moods in each specific episode of the novel, but their general purpose is invariably. The value of Skolnikov's dreams is to reveal the basic idea of \u200b\u200bthe work. The idea that tells us that every person is value, it is impossible to divide people on the "lice" and "useful". The idea that shows that no one has the rights to "make human destinies. The idea, which indicates how difficult the flour of conscience.

Many writers used dreams in their works, but few could achieve what F.M. Dostoevsky. The way it is fine, deeply and at the same time brightly described the psychological state of the character with the help of sleep, strikes not only the average man, but also the true connoisseurs of literature.

/ Dream Skolnikova

Dreams Skolnikova

In his novels, Dostoevsky reveals the complex processes of internal life of heroes, their feelings, emotions, secret desires and fears. In this aspect, characteristics are especially important. However, Dostoevsky's dreams often have a plot-forming value.

Let us try to analyze the dreams and dreams of Raskolnikov in the novel "Crime and Punishment". The first dream hero sees on the Petrovsky island. In this dream, the childhood of Rodion revives again: along with his father on a festive day, he goes outside the city. Here they see a terrible picture: a young man, a Molka, coming out of the Kabaka, fucking his "skinny ... Savrai Klyachonka", which is not under the power of the unbearable WHO, and then finishing it with iron scrap. Pure Children's Nature of Rodion protests against violence: With cry, he rushes to the scored Savra and kisses her dead bloody face. And then jumps up and rushes with fireplaces on the Molts. Raskolnikov experiences a whole range of various feelings here: horror, fear, pity for the unfortunate horse, malice and hatred of Molka. Sleep this dream is so amazing Rodion, which, waking up, he rents "from his damn dream." Such is the meaning of sleep directly in the external action of the novel. However, the meaning of this sleep is much deeper and significant. First, this dream precedes future events: red shoes of drunken men; red, "like carrots", the face of the Molka; Baba "in Kumachah"; The ax that can be finished with the unfortunate klyche - all this predetermines future murders, hinting at the fact that the blood is overcome. Secondly, the dream of this reflects the painful generation of the hero consciousness. If we remember that the dream is the expression of the subconscious desires and fears of a person, it will turn out that the splitters, afraid of their own desires, still wanted to death scored an unfortunate horse. It turns out that in this dream, the hero feels like a Molka, and a child, clean, the good soul of which is not a cruelty and violence. This splitness, the inconsistency of the Skolnikov nature in the novel is subtly noticed by the deformity. In a conversation with Pulcheria, Alexandrovna Raulumihin notes that Rodion "Gords, gloomy, shift and proud", "cold and insensitive to inhuman", and at the same time - "generous and kind". "For sure in it, two opposite characters are alternately replaced," Rasschin exclaims. On the painful splitness of the Skolnikov also testify the two opposite images from his sleep - Kabak and Church. Kabak is what people are ruined, this is the focus of debauchery, recklessness, evil, is the place where a person often loses his human appearance. Kabak always produced a "unpleasant impression" at Rodion, there was always a crowd, "so they screamed, laughed, they swear ... Ugly and sizzle sang and fought; There are always such drunken and terrible faces with a kabak's circle. " Kabak is a symbol of viciousness and evil. The church in this dream personifies the best that is in human nature. It is characteristic that the Church of Little Rodion loved, he went twice a year with his father and mother for lunch. He liked the vintage image and the old priest, he knew that the memories were served here on his dead grandmother. Cabac and church here, therefore, metaphorically represent the main guidelines of a person in life. It is characteristic that in this dream, the Raskolnikov does not reach the church, does not fall into it, which is also very significant. It delays the scene near the Kabaka.

There is meaningful here and the image of the skinny peasant Savra, which does not withstand the unbearable Neshi. The unfortunate horse is the symbol of the unbearable suffering of all the "humiliated and offended" in the novel, the symbol of hopelessness and a dead end of the Skolnikov, a symbol of the disaster symbol of the marmalade family, the Sony position symbol. With this episode of the Hero's dream, the bitter exclamation of Katerina Ivanovna in front of death: "Klyachu sat! Sleelled-AB! ".

It is significant in this dream and the image of the deceased Father Skolnikov. Father wants to lead Rodion from Kabak, does not tell him to look at the violence. Father here seems to be trying to warn hero from his fatal act. Recalling the mountain, which has comprehended their family, when the brother of Rodion died, the father of Raskolnikova leads him to the cemetery, at the grave of the deceased brother, towards the Church. This is exactly what, in our opinion, the function of the Father Skolnikov in this dream.

In addition, we note the plot-forming role of this dream. It appears as "a peculiar core of the entire novel, its central event. Focusing the energy and strength of all future events, sleep has a formative value for other storylines, "predicts" them (sleep is dreaming in the present time, talks about the past and predicts the future killing of the old woman). The most complete representation of the main roles and functions ("sacrifice", "tormented" and "compassionate" in the terminology of Dostoevsky himself) sets a dream about the murder of a horse as a plot kernel, subject to text deployment, "notes G, Amelin and I. A. Piliers. Indeed, the threads from this dream are drawn throughout the novel. Researchers stand out in the work of the character "Troika", corresponding to the "torching" roles, "victims" and "compassionate". In a dream, the hero is "Molka - a horse - a splitter-child", in real life it is "Raskolnikov - the old woman - Sonya." However, in the third "Three" hero himself acts as a victim. This "Troika" - "Raskolnikov - Porfirya Petrovich - Molka Dementiev". In the development of all plot situations, the same motives sound here. Researchers note that in all three plots, the same text formula is beginning to be deployed - "sorrify" and "volat to the pattern". So, in the dream, the Skolnikova Molka scrap "sobs his poor horse with the scope." Around the same hero kills Alain Ivanovna. "The blow fell in the most thorough ...", "here he struck his whole strength and the other, everything is overall, and all by the pape." The same expressions use Porphyry in a conversation with Rodion. "Well, who, tell me, of all the defendants, even from the very prevailful man, does not know that it, for example, will first stand on unauthorized issues to sleep (according to your lucky expression), and then suddenly and grieved in the very topic, With ... ", - notes the investigator. In another place we read: "I, on the contrary, should be distracted, so you, in the opposite direction, yes, suddenly, like a volat to the palate (according to your expression), and sorrify:" And what, they say, sir, you learned in the apartment killed Do at ten o'clock in the evening, but almost not even at eleven? ".

In addition to dreams, the novel describes three Skolnikov visions, three of its "dreams". Before committing a crime, he sees himself "in some oasis." The caravan rests, peacefully lie camels, there are magnificent palm trees. Nearby rumbles, and "wonderful-wonderful such blue water, cold, runs through multicolored stones and for such a clean with gold sparkles of sand ..." And in these Gresses again denotes the aging generation of the hero consciousness. As notes by B.S. Kondratyev, camel here - a symbol of humility (the Raskolnikov came to accept, renounced the "damn dream of her" after the first sleep), but Palma is "the main symbol of triumph and victory", Egypt is the place where Napoleon forgets the army. Having renounced his ideas in reality, the hero returns to them in a dream, feeling like a winner-Napoleon.

The second vision visits Skolnikov after his crime. It seems to be heard that the quarterly warden Ilya Petrovich is terribly beating him (Skolnikova) an apartment hostess. Vision is exposed to the hidden desire of the Raskolnikov to harm the apartment hostess, the feeling of hatred, the aggression of the hero in relation to it. It was thanks to the apartment hostess, he found himself in the plot, was forced to be explained with the assistant of the quarterly warder, experiencing a deadly feeling of fear and almost never owning himself. But the vision of Skolnikova has a deeper, philosophical aspect. This is a reflection of the painful state of the hero after the murder of the old woman and Lizavets, reflecting his feelings of alienation from their past, from the "former thoughts", "former tasks", "former impressions." The apartment hostess here is obviously a symbol of the past life of Raskolnikov, a symbol of what he loved so much (Hero's relationship story with the daughter of the apartment hostess). Quarterly warden - the figure from his "new" life, which put his crime. In this "new" life, he "as if scissors cut off himself from everyone," and at the same time from his past. Raskolnikov is unbearable in its new position, which in the subconscious it is captured as damage, harm caused by the last hero of him hereby.

The third vision of Raskolnikova occurs after his meeting with a motive, accusing him in murder. The hero is won by the faces of people from his childhood, the bell tower Church; "Billiard in one restaurant and some kind of officer at the Billiard, the smell of cigars in a basement tobacco bench, a sawing, a black staircase ... somewhere comes Sunday ringing bells ...". The officer in this vision is the reflection of the actual life impressions of the hero. In front of his crime, Raskolnikov hears a student talking with an officer in the restaurant. The images of this vision themselves are echoing with images from the first sleep of Rodion. There he saw the Kabak and the Church, here - the bell tower of the church, the ringing of the bells and the tavern, the smell of cigars, sipping. The symbolic meaning of these images is preserved here.

The second Solution of Raskolnikov sees after his crime. He dreams that he again goes to the apartment Alena Ivanovna and tries to kill her, but the old woman, as if muddling, poured a quiet, silent laugh. Laughter and whisper hear him in the next room. Skolnikova surrounds suddenly many people - in the hallway, on the site, on the stairs, is silently and waiting, they look at him. Hiring horror, he cannot move and soon awakens. This dream reflects the subconscious desires of the hero. Raskolnikov is illustrated by its position, wanting to open their "secret" to someone, he is hard to carry it in himself. He literally chips in his individualism, seeking to overcome the state of painful alienation from others and himself. That is why in the dream of Skolnikov near him many people. The soul rifles him to the people, he wants community, unity with them. In this dream, the motive of laughter appears, accompanying the hero throughout the novel. After committing the crime, Raskolnikov feels that "he killed himself, not the old woman." This truth is as if opened to people surrounding the hero in a dream. An interesting interpretation of the Sleep Hero offers S.B. Kondratyev. The researcher notes that Laughter in Solution Skolnikova is the "attribute of the invisible presence of Satan," the hero of the demons laughs and tease.

She sees his third dream of the Raskolnikov already at Katorga. In this dream, he, as it were, rethinking the events that occurred, his theory. Raskolnikov seems to be as if the whole world was convicted of "terrible ... by marine ulcer." There were some new microscopic beings, Trikhins, infecting people and making them tricky. Infected not hear and do not understand others, considering only their opinion is absolutely faithful and the only right. Leaving his classes, crafts and agriculture, people kill each other in some meaningless malice. Fires begin, hunger, digest everything around. Only a few people, "clean and elected" can be saved all over the world, but no one has ever seen. " This dream is the extreme embodiment of the individualistic theory of Raskolnikov, showing threatening the results of a detrimental effect on the world and humanity. It is characteristic that individualism is now identified in the consciousness of Rodion with a launion and madness. In fact, the idea of \u200b\u200bthe hero about strong personalities, Napoleons, which "everything is permitted," is now present to him the disease, madness, turbidity of the mind. Moreover, the spread of this theory around the world is what causes the greatest concerns of Skolnikov. Now the hero is aware that the idea of \u200b\u200bhim is opposed to the human nature, mind, divine world order. Understanding and accepting all this with his soul, the splitters are experiencing moral enlightenment. It is not for nothing after this dream, he begins to realize his love for the Son, who opens his faith in life.

Thus, the dreams and the visions of the Skolnikov in the novel transmit its internal states, feelings, intimate desires and secret fears. Composite dreams often finish future events, become causes of events, drive the plot. Dreams contribute to the mixing of real and mystical alignment plans: new characters grow from dreams of the hero. In addition, the plots in these visions echoes the ideological idea of \u200b\u200bthe work, with the author's assessment of the Raskolnikov idea.

The first Skolnikov dream and his meaning?

Katik

Raskolnikov will dream of his childhood, in his hometown. He walks with his father and passes by Kabak, from which drunken men run away. One of them, Molka, invites others to ride not his cart, which is injected "Little, skinny saving peasant krachononka." Men agree and sit down. Molka beats a horse, forcing her pull the cart, but she cannot even go a step due to weakness. Then the owner begins to beat Klyach with distervection and finishing it. Raskolnikov-child at the first moment looks at everything that happens in horror, then rushes to protect the horse, but too late.
The atmosphere of what is happening is hot down by the strongest feelings. On the one hand, it is a malicious, aggressive passion of the detached crowd, on the other - the unbearable despair of little parents, shaking his heart pity for the "poor horse". And in the center of everything - the horror and tears of seeking Klyachi. Not by chance, creating this terrible picture, Dostoevsky uses a lot of exclamation marks.
The main idea of \u200b\u200bthe episode is the rejection of the murder of man in nature, and in particular, Okolnikov in particular. Before bedtime, hero thinks about the usefulness of the murder of the old-year older age, which has learned his century and "hires" someone else's, but after the splitters wakes up in the cold sweat and horrified from the scene, seen in a dream. This change can be explained by the struggle of the soul and mind, which constantly happens in the main hero. The dreams do not obey the mind, the person is revealed in them, and we see that the murder of disgusting the soul and the heart of Skolnikov. But in the reality of thoughts and care for mother and sister, the desire to prove their theory about "ordinary" and "extraordinary" people in practice prompted to think about the murder and its usefulness, drowning the flour of nature.
Dostoevsky puts his thoughts about the causes of the crime and uninstalistic murder in the first dream of the main character.
The hometown is a symbol of St. Petersburg itself. Kabak, drunken men, suffocating the atmosphere - all these inalienable components of St. Petersburg times of Dostoevsky. The author believes that Petersburg is the cause and partner of the crime of Raskolnikov. The city with its atmosphere, imaginary impasses, cruelty and indifference acts on the main character, involving it in the painful state of excitement. It is this condition that pushes the Raskolnikov to the creation of the theory, which masters him mind and commands themselves.
Sleep the set of threads is associated with what happens later in the reality of the novel. Raskolnikov, shuddering before he conceived, will still kill the old woman and still a covenant, the same helpless and scored as Klyach: she will not dare even raise his hand to protect his face from the killer's ax. Then the dying Katerina Ivanovna will exhale together with a caring blood: "Klyachu was driving! "But the splitters in this strange reality will appear as a executioner as a fraction of a coarse, cruel world, who gave themselves the right to kill, anyway, how: on the arms of the arms, is inventing the theories about strong and weak personalities.
The dream of the main character is described by the author with all the details and resembles the scene from the poem of N. A. Nekrasov "On the weather." Sleep action unfolds consistently, in contrast, for example, from Nicolenka's sleep in the Roman L. N. Tolstoy "War and Peace", where the events that occur by feverishly replace each other. But the first Skolnikov dream is not the only one: it will follow three more dreams, and each of the four has its meaning. The first dream of the main character played an important role in the further work, since, developing the topic of "punishment" of Skolnikov, Dostoevsky will show that it is in the soul that all the main truths about the attitude of people to each other are stored: "Do not judge," "not kill," " Love your neighbor as yourself. " And punished Raskolnikov will be primarily the fact that his heart will not accept

Elena Anufriev

The dreams are important in the novel. There are practically no boundaries between sleep and reality. The sleep smoothly goes into reality, reality in sleep. When the Raskolnikov sees the Bezanin, who blamed him in the death of the old woman, he perceives him as a dream. This is due to the fact that the reality itself is fantastic in the novel, which contributes to the image of St. Petersburg, its atmosphere of a stuffiness, having a symbolic meaning.

During the novel, Rodion Raskolnikov sees a dream five times. He sees the first dream in his room after meeting with a drunken girl on the boulevard. It is generated by the painful imagination of the hero. The action takes place in the distant childhood Skolnikov. Life in his hometown is so common and sulfur that "time is sulfur", even on a festive day. Yes, and the whole dream is depicted by a writer in the dark colors: "Forests are drawn", "the road is always dusty, and the dust on it is always so black." With dark, gray tone contrasts only the green dome of the church, and only the red and blue shirts of drunken men are joyful stains.

In a dream there are two opposite places: Cabac and church in the cemetery. Kabach in the memory of Rodion Raskolnikova personifies drunkenness, evil, lowness and dirt of his inhabitants. The fun of drunken people does not inspire others, in particular, a little childly, nothing but fear. A little further along the road is the city cemetery, and on it - the church. The coincidence of their location means whatever a person, he will still begin his life in the church and finish it in the same place. The church is not accidental in three steps from the Kabak. This short distance shows that a person at any time can stop his daily life and, turning to God, who will all forgive, start a new, righteous life. This dream is an important part of the novel. In it, the reader first sees the murder, not only conceived, but also implemented.

And after sleeping in the head of Skolnikova, a thought arises: "Yes, really, really, I really take an ax, I will beat the head on my head, I smake a skull. I will slide in the sticky of warm blood, hack the castle, steal and tremble; hide, all blood poured .. with an ax? Lord, really? "Rodion will hardly commit this murder, because his attitude towards violence has changed little since childhood. Despite the past years, he still nourishes disgust to violence, especially for the murder. This dream is the most bright and memorable and bears the greatest semantic load. He clearly reveals the source of the sense of shocked injustice, generated by the quest and the aspirations of the hero. This is one of the most important moments of the novel, in which the millennial experience of enslavement and oppression of some people in a compressed form focused on the other, the age-old cruelty, which has long been held by peace, and passionate longing for justice and humanity, expressed with great skill.

The author's design of dreams Skolnikova What is the meaning of the Skolnikov dreams at the Katorga for the disclosure of the author's plan?

Galina

Dreams Skolnikova: Description and Essence
First sleep (Ch. 1, ch. V) Raskolnikov sees shortly before
murder, falling asleep in the bushes in the park after the "sample" and heavy
Meetings with marmalades.
Sleep heavy, painful, exhausting and unusually
Rich symbols:
Raskolnikov-boy loves to go to church,
personifying heavenly origin on earth, that is
Spirituality, moral purity and perfection.
However, the road to the church passes by Kabak, who
The boy does not like; Kabak is that terrible, worldly, earthly,
What is ruined in man man.
In the scene at the Kabaka - the murder of helpless horse the crowd
drunk-smeared splitters trying to protect
Unhappy animal, screaming, crying; Apparently, in his
Nature is not hard, merciless and contempt
To someone else's life, even horsepower alien and possible
Violence over the human person for him is disappearing,
Unnatural.
It is significant that after this sink sink
For a long time, dreams do not see.
The position of dreams in the tissue of the novel is finely thought out,
It allows the author to make the necessary accents
in the right places.

Sleep about Africa
This dream also dreamed of Raskolnikov on the eve
Crime.
Raskolnikov sees Egypt, Oasis, Blue Water,
Multicolored stones, golden sand.
This dream is contrast.
He is opposed to real life Skolnikova -
miserable, colorless, gray. (H, 1, ch. Vi)
Sleep about Ilya Petrovich and the hostess
In delusion after committing a crime of splitters
She sees a dream about Ilya Petrovich, which hits the hostess.
In a dream, the splitters felt fear that perhaps
Behind him came: "Suddenly, the splitters fluttered as a sheet ...
Ilya Petrovich here and hits the hostess ... but it became
And now they will come to him, if so, "because ...
True, all this is from the same ... because of yesterday's ... "
"... fear, like ice, laid his soul, tortured him,
rinsed it ... "
At the same time, even in a dream, he does not take
Nothing to escape, close, do not surrender to the police.
(Part 2, Ch. II)
Dream about laughing old woman
Before the arrival of Svidrigaylov Raskolnikov saw
Deadly dream of the killed older percentage.
In a dream, the Raskolnikov goes to the old woman after
Some kind of mothers, who calls him there.
In the corner, in the living room he discovers a seated old woman.
The old woman laughs.
Raskolnikov strikes the ax, but laughter is only
Intensified.
Raskolnikov rushed to run, but there were people everywhere
On the stairs, in the premises, etc.: "... everyone is looking, -
But everyone attached and wait, silent ...
His heart struggled, legs do not move, increased ...
He wanted to scream and woke up ... "
In a dream, Raskolnikov is experiencing fear that municipal
His reality after the crime.
After the murder of the old woman, the splitters was afraid of shame and
Human court.
He was afraid to be disgraced before the crowd.
This fear was embodied in a dream (Part 3, Ch. Vi)
Sleep about the end of the world
This is the last Skolnikov dream.
Already at the Raskolnikov Kathers once fell ill and got
in hospital.
In a painful delirium, he saw repeated several times
Sleep about the end of the world.
"He dreamed of illness, as if the whole world was convicted
Sacrificing some terrible, unheard and unprecedented
Sea ulcer coming from the depths of Asia to Europe.
Everyone had to die, except for some, very
Few, selected ... "
This last dream will dream of Raskolnikov after the trial,
at Katorga.
Katorga became the beginning of his new life for him, the beginning
Atonement of his sin.
This sleep is the symbol of cleansing and updating the soul
Skolnikova.
Sleep is very bright and emotional talking about about
active internal work on oneself
Skolnikova.

Alexander Doronin

Last Skolnikov's sleep occurs already at Katorga. Rodion is seriously ill with typhus, and he dreams of a nightmare.
Peace. People are infected with an unknown disease transmitted by spirits. Everything in the world becomes easily manageable puppets, and people themselves consider themselves high mind and reason. Then the contaminated kill each other, like spiders in the bath.
This dream is a turning point on the life of Skolnikov. After this nightmare, Rodion understands all the inconsistency of his own theory and, one might say, reverses it. The main character is spiritually healed, and begins to live a new life, to live liberated from all the quest, so mutating his whole life. It is here that it appears hope for the redemption of his sin. It is there - at Katorga-Raskolnikov, like Lazari from biblical legends, is resurrected from the dead.
It can also be said that Dostoevsky wanted to show the future filled with people like Rodion, who have their own theory, the same velide and killer. Like Skolnikov.
Simply put, Dostoevsky shows himself, he also passed the boat for his convictions, and subsequently refused them.

Sleep about man scored by a housing.

On the eve of the crime of Raskolnikov sees a dream: he seven years old, he walks with his father on a festive day. They go to the cemetery past the Kabaka, near which the core hood is charged to the large telegu. From the Kabaka goes drunk.

Molka (the same name as the dyesman who has taking the guilt of Skolnikov). He seats a noisy crowd in the cart. The horse can not move the cart from the spot. Molika mercilessly hits her whip, then the neck, two men sem a horse with sides. The boy is trying to interfere, crying, shouting.

Molka finishes the animal with iron scrap. Rodion runs up "to Savraska, worst her dead, bloody muzzle and kisses her," then rushes with cams on the Molts. Raskolnikov "I woke up all in the sweat, with wet from swelling with hair, choking, and raised in horror." The meaning: the writer opens the true soul of Skolnikov, shows that the violence conceal against them contradicts the hero nature.

In this dream, the inner state of Rodion is reflected on the eve of the crime.

Symbols of sleep about a horses scored.

A few steps from the Kabak is a church, and this short distance shows that at any time a person can stop sinful and start a righteous life. Sleep has a composite twin in the novel - this is the death of Katerina Ivanovna ("Klyach's left! .." She says, dying).

Full text of the episode "Sleep number 1"

He went home; But having reached the Petrovsky Island, he stopped in complete exhaustion, came down from the road, entered the bushes, fell on the grass and fell asleep at the same moment. In the painful state of the dreams differ often unusually convex, brightness and emergency similarity with reality. Sometimes a picture of a monstrous, but the situation and the whole process of the entire presentation are at the same time being likely and with such subtle, unexpected, but artistically relevant whole fullness painting with details that they do not reveal to reveal to this very dream, whether it is the same artist, Like Pushkin or Turgenev. Such dreams, painful dreams, always remember and produce strong impression At the upset and already excited human body. Horrible dream Dreamed Raskolnikov. His childhood dreamed of him, in their town. He is seven years old and walks on a festive day, in the evening, with his father outside the city. The time is sulfur, the day is suffocating, the terrain is absolutely the same as he survived in his memory: even in his memory it was much more cade than it was now in a dream. The town is worth openly as on the palm, there are no winds; Somewhere very far, on the very edge of the sky, the fishing line drawn. A few steps from the last urban garden stands the Kabak, a big bank, who always made an unpleasant impression on him and even fear when he passed by him, walking with his father. There was always such a crowd, so they screamed, laughed, swear, so ugly and sizzle sang and so often fought; There are always such drunk and terrible faces of Kabaka, having met with them, he crawled close to his father and trembled. Near the Kababa road, the village, always dusty, and the dust on it is always so black. She goes, wriggling, further and the steps in three hundred and envelops the city cemetery to the right. Among the cemeteries, the stone church with a green dome, in whom he walked two times a year with his father and with his mother for lunch, when the memories were served on his grandmother, who was dead for a long time, and which he never saw. At the same time, they always took them with a bun on a white dish, in a napkin, and Suga was sugar from rice and a raisin embedded in the rice of the cross. He loved this church and an old image in it, the biggest part without salary, and the old priest with a trembling head. Near the grandmother's grave, on which there was a stove, there was a small grave of his little brother, the deceased six months and whom he also did not know at all and could not remember; But he was told that he had a little brother, and he, every time he visited the cemetery, religiously and respectfully baptized over the grave, bowed to her and kissed her. And so dreams: they go with the father on the way to the cemetery and pass by the Kabak; He holds his father by his hand and looks back with fear on the Kabak. A particular circumstance attracts his attention: this time here is as if a walk, a crowd of smashed mesh, women, their husbands and all sorts. Everyone is drunk, everyone sing songs, and a clock porch is a cart, but a strange cart. This is one of those large carts that are hardened with large scrap horses and transport goods and wine barrels in them. He always loved to look at these huge scramble horses, long-catch, with thick legs, going calmly, a measuring step and those who carry some whole mountain, at all hopefully, as if they were even easier for them than without anywhere. But now, a strange thing, there was a small, skinny, Savrai peasant, one of those who have seen it often - they saw it - they died sometimes with a high way of firewood or hay, especially if the WHO is stuck in the mud or in a rut, and at the same time they hurt so hurts, they always beat the men whips, sometimes even on the face itself and in the eyes, and he's sorry for him, so it's a pity to look at it that he almost cries, and milf always happened , takes it from the window. But suddenly it becomes very noisy: it's from the Kabak with screams, with songs, with drunk-typny balalaikas big men in red and blue shirts, with Armenians. "Sit down, everyone sit down! - Shouts one, still young, with tough shee and with fleshy, red, like carrots, face, - everyone will take, sit down! " But immediately hesitated laughter and exclamation: - Sai klyach is lucky! - Yes, you, Molka, in the mind, or what: Singing the kobynik in such a cart comes! - And after all, Savrach, then there will be twenty years old, brothers! - Sit down, everyone will take! - again the Molka screams, jumping first in the cart, takes the entrance and becomes in front of the front. - Gunnaya grooved with Matvey, he gone from the cart from the cart - and the Kobymenka Etta, brothers, only my heart overslets: it would seem to be, and killed her, the gift of bread eats. I say sitting! Strick! Scrap will go! "And he takes to the hands of a whip, with pleasure getting ready to hover Savrask. - Yes, sit down, what! - laugh in the crowd. - I hear, scriberci will go! - She will jump, so for ten years, called, did not jump. - Bars! - Do not regret, brothers, take any whites, prepare! - and that! Seques her! Everyone climbs into Mikkina Telaga with laughter and sharpness. It was noted six, and you can still plant. Take with one woman, thick and ruddy. She is in Kumachah, in kicks with beads, on the legs of cats, clicking nuts and laughs. The circle in the crowd is also laughing, and indeed, how not to laugh: Self-blown kobylenka Yes, there will be a hurt. Two guys in the cart immediately take on the whip to help Molka. It is heard: "Well!", Klyachonka pulls out all the power, but not only to drag, but even a step, just a little bit can cope, only the seeds of the legs, swallows and squatting from the blows of the three whips, sleeping on her like peas. Laughter in the cart and in the crowd doubled, but the Molka is angry and in a rage sneaks with rapid blows to Kobylenka, accurately believes that she will fight. - Let me and me, brothers! - Shouts one unfolded guy from the crowd. - Sit down! All sitting! - Screaming Molka, - everyone is lucky. Start! - And shearse, shears, and no longer knows what to beat from the osterment. - Daddy, daddy, - he shouts his father, - Daddy, what do they do? Daddy, poor horse beat! - Let's go, let's go! - Says Father, - Drunk, Shalyat, Fools: Let's go, don't look! "And he wants to take him, but he breaks out of his hands and, without remembering himself, runs to the horse." But a poor horse is bad. She chips, stops, pulls again, almost falls. - Seques to death! - Screaming Molka, - I went. Start! - What is the cross on you, or no, Leshe! - shouts one old man from the crowd. - Separate, so that such a horse takes such a fucking, - adds another. - Wear! - Screaming the third. - Do not ride! My good! I do what I want. Sit back! All sitting! I want to break to break! .. Suddenly, the laughter hesitated with a volley and covers everything: the kobylenka did not bear rapid strikes and began to fall in impotence. Even the old man could not stand and grinned. And rightfully: a sort of falling kobylenka, and still flashes! Two guys from the crowd get even on the whip and flew to the horsenate to bring it from the sides. Everyone runs on his part. - By the face of her, in the eyes of the glory, in the eyes! - Screaming Molka. - Song, brothers! - Schracts someone from the carts, and everyone in the cart pick. There is a rampant song, bubble bubble, whistling in the chisels. Babenka snaps nuts and laughs. ... He is running down the horses, he runs forward, he sees how her sem in the eyes, in the very eyes! He is crying. Heart rises in it, tears flow. One of the sequers hurts him; He does not feel, he breaks his hands, shouts, rushes to the gray old man with a gray beard, which shakes his head and condemns all this. One woman takes his hand and wants to take effect; But he breaks down and again runs to the horse. That already under the last effort, but once again begins to fall. - And that those left! - cries in the rage of the Molka. He throws the whip, bent and pulls out a long and thick fool from the bottom of the cart, takes her for the end in both hands and with an effort waving over Savra. - breaks out! - Scream around. - kill! - My good! - Screaming Mikolka and with all the scope lowers the flaw. Heavy blow is heard. - Sequins her, pieces! What have become! - screaming voices from the crowd. And the Molka flashes another time, and another blow from all over the scope falls on the back of the unfortunate klyachi. She all sets all the ass, but hits and pulls, pulls from all the last forces in different directions to take out; But from all sides they take it into six whips, and the oglochem raises again and falls for the third time, then in the fourth, dimly, with a scope. Molka in rabies, which can not kill from one strike. - Lie! - Scream around. - Now it will break, brothers, here she and the end! - Shouts from the crowd one amateur. - Her ax, what! To finish it with one, - shouts the third. - Eh, eat those mosquitoes! Disaccurate "The Molka cries furiously, throws a fire, again bends in the cart and pulls out the iron scrap. - Beware! - He shouts and that there is a strength to sink his poor horse with the scope. Hit collapsed; The kobylenka was hushed up, asslaved, she wanted to pull, but scrap again with all the swing she lies on her back, and she falls to the ground, for sure all four legs were sat down at once. - Watch! - shouts by Molka and jumps out, as if he does not remember himself, from carts. Several guys, too, red and drunk, grab that it fell - whips, sticks, oglochal, and run to the sinking kobylenka. Molka becomes on the side and starts to beat a scramble in the back. Klyach stretches the face, sighs heavily and dies. - Distopal! - Scream in the crowd. - And why did you scroll not going! - My good! - Screams by Molka, with scrap in hands and with pouring eyes. He stands as if sorry, which is no longer beat. - Well, really, know, the cross on you! - Many voices are screaming from the crowd. But the poor boy does not remember himself. With a cry, he breaks through through the crowd to Savraska, wars her dead, bloody muzzle and kisses her, rushes with his fireproofs on the Molt. In this moment, the Father, who has already enjoyed himself after him, grabs it finally and takes out of the crowd. - Let's go to! let's go to! "He says to him," let's go home! " - Daddy! For what they ... a poor horse ... killed! "He sobs, but the breath is capturing him, and the words cries come out of his shockful chest. - Drunk, Shalyat, not our business, let's go! - Says Father. He wars his father with his hands, but his chest is crammed, tested. He wants to translate his breath, scream, and wakes up. He woke up all in the sweat, with swollen hair, choking, and raised in horror.

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Sleep about the oasis in Egypt.

On the eve of the crime, Rodion is dreaming in a dream the perfect world, which will be created by him - the ingenious Savior of mankind. He sees Egypt, an oasis, blue water, multicolored stones, golden sand and dreams of creating a small oasis of happiness among the endless desert grief. The meaning: a dream, in the name of which the crime is conceived, opposed to gray real life.

Symbolism of sleep about Egypt.

Egyptian campaign - the beginning of Napoleon's career.

Full text of the episode "Sleep number 2"

After lunch, he stretched again to the sofa, but he could not fall asleep, but lay without movement, pricking his face in a pillow. He looked around everything, and all the strange such dreams were: everything was more common to him that he was somewhere in Africa, in Egypt, in some oasis. The caravan is resting, the camels lie feel comfortable; Circular palm trees are growing with a whole circle; Everyone dine. He also drinks water, straight from the stream, which immediately, at the sides, flows and jumped. And it is cool so, and the wonderful-wonderful such blue water, cold, runs through multicolored stones and for such a clean sand with gold sparkles ... Suddenly he clearly heard that they beat the clock. He shuddered, woke up, lifted his head, looked out the window, realized the time and suddenly jumped up, absolutely fating, as if he had risen from the sofa. He approached the door to the door, asked her quietly and began to listen down on the stairs. His heart faded him. But on the stairs, it was all quietly, just all slept ... wildly and wonderfully it seemed to him that he could sleep in such a diverse from yesterday and did not do anything yet, he did not prepare anything ... And mean bye, maybe and six hours ... and unusual Feverish and some kind of confused fuss covered it suddenly, instead of sleep and disjection. Cooking, however, was a bit. He lived every effort to imagine everything and forget nothing; And the heart beat everything, the knocking so that he was hard to breathe. First, it was necessary to make a loop and sew to the coat, the case of a minute. He climbed under the pillow and found the underwear in the cracked under her, perfectly collapsed, old, unwhatened his shirt. From the lochmotyev, it hid it with a braid, in the top of the width and vertices in eight. He doubled this braid, took off his widespread, strong, from some thick paper matter with a summer coat (the only top dress) and began to sew both ends of the braid under the left mouse from the inside. His hands were shaking sewing, but he defeated, and so that there was nothing to see outside when he again put on a coat. A needle and threads were already prepared for him and lay in the table, in a piece of paper. As for the loop, it was very sensitive his own fiction: the loop was prescribed for the ax. It was impossible to carry an ax in his hands on the street. And if under the coat hide, then it was necessary to hold hand to hand that it would be noticeable. Now, from the loop, it is only worth putting the blade of the ax in it, and it will hang calmly, an armpit from the inside, all the way. By running the hand in the side pocket of the coat, he could and the end of the Top's handle to hold, so that it does not hang out; And since the coat was very wide, the present bag, it could not be noticeable outside that he was something hand, through his pocket, holds. He also invented this loop for two weeks ago.

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Sleep about Ilya Petrovich.

Rodion dreams that Ilya Petrovich beats his mistress. Sleep is filled with terrible sounds: "She took out, screamed and caused", the voice of the buoyed hoarse, "such unnatural sounds, such a fight, scream, grincling, tears, beatings and curses he never heard and did not see." In the consciousness of the hero, sleep is confused with reality. He thinks about the blood spilled them, about the dead people. The entire creature of the hero opposes the perfect murder. When Ilya Petrovich hits the hostess, Questions arise in the head of Raskolnikov: "But for what, for what ... and how it is possible!" Rodion understands that he is the same "genius, like Ilya Petrovich.

The meaning of sleep about Ilya Petrovich.

Murder is alien to human nature. Sleep was introduced by the author to show the horror and inconsistency of the theory of Skolnikov.

Symbolism: The staircase, which is the place of sleep, symbolizes the struggle of good and evil.

Full text of the episode "Sleep number 3"

He came to himself in the evening, began to be, passed six hours. Where and how it was back, he did not remember anything. Understanding and the whole trembling, like a drunk horse, he lay down on the sofa, pulled over the sinel and immediately forgotten ... He woke up in full twilight from a terrible scream. God, what is this cry! Such unnatural sounds, such a fight, scream, grincping, tears, beatings and curses he never heard and did not see. He did not imagine such atrocities, such a frenzy. In horror, he raised himself and sat down on his bed, every moment driving and tormented. But fights, screams and curses have become stronger and stronger. And so, to the greatest amazement, he suddenly heard the voice of his mistress. She took out, squeezed and hurried, hurrying, hurrying, releasing the words so that it was impossible to disassemble, something implous about something, - of course, that she stopped to beat, because her mercilessly beat on the stairs. The voice of the boyfriend became terrible from the maliciousness and rabies, which was already having wipes, but still, and something that was also said something, and also soon, inseparable, hurry and chopping. Suddenly, the splitters fluttered like a sheet: he recognized this voice; It was the voice of Ilya Petrovich. Ilya Petrovich here and hits the hostess! He hits her legs, kicks her head about the step, is clear, it is heard on the sounds, on screams, by impact! What is it, the light turn over, or what? It was heard, as in all floors, the crowd was going throughout the stairs, voices were heard, exclamations, boiled, knocked, clapped the doors, fled. "But for what, for what, and how it is possible!" - He repeated, seriously thinking that he completely stirred. But no, he hears too clear! .. But, it became, and it will come to him, if so, "because ... right, all this from the same ... because of yesterday ... Lord!" He wanted to lock on the hook, but his hand did not rise ... and it is useless! Fear, as ice, laid his soul, tortured him, stained him ... But finally, all this gam, which lasted the faithful ten minutes, began to gradually subside. The hostess moaning and Okhala, Ilya Petrovich still threatened and cursed ... But he finally seems to be suiced; That's not heard him; "Did you really gone! Lord! " Yes, it goes and the hostess, still with a moan and cry ... So the door slammed her ... So the crowd diverges from the stairs on the apartments, - Ahaut, argue, echoes, then an elevative speech before screaming, then lowering to whisper. Must be, there were a lot of them; almost all the house fled. "But God, is it all possible! And why, why did he come here! "Raskolnikov in the impotence fell on the sofa, but he could no longer be sick; He lay from half an hour in such a suffering, in such an unbearable feeling of limitless horror, which never experienced. Suddenly the bright light illuminated his room: entered Nastasya with a candle and with a soup plate. Looking at him carefully and seeing that he was not sleeping, she put a candle on the table and began to lay off the brought: bread, salt, a plate, a spoon. - I suppose since yesterday did not eat. The whole day passed, and the destruction itself beats. "Nastasya ... Why did the hostess be bilted? She looked at him at him. - Who beat the hostess? - Now ... half an hour ago, Ilya Petrovich, the assistant, on the stairs ... For what he is so for her. beat? And ... why did you come? .. Nastasya silently and frowned by him looked around and looked so long. He became very unpleasant from this viewing, even scary. "Nastya, what are you silent?" - He finally said to a weak voice. "This is blood," she finally answered, quietly and as if talking about himself. - Blood! .. What blood? .. - he mumbled, pale and moved to the wall. Nastasya continued to look at him in silently. "No one beat the hostess," she said again with a strict and decisive voice. He looked at her, barely breathe. "I heard ... I didn't sleep ... I sat," he said more Robid. - I listened for a long time ... I came the assistant to the warden ... everything was escaped on the stairs, from all apartments ... - no one came. And this blood is shouting in you. It's when she does not have to leave and baked livers will begin, here it will begin to see it ... There is something you will become, what? He did not answer. Nastasya stood everything over him, she looked closely at him and did not leave. - Let's drink ... Nastasyushka. She went down and minutes after two rounded with water in a white clay mug; But he no longer remembered what was next. I remembered only how one sip of cold water shed out and shed from a mug to the chest. Then there was infamous.

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Sleep about laughing old woman.

In a dream, Raskolnikov goes to the old woman's apartment after some kind of mothers, who calls him there. This is a secondary stay of the hero of the crime. Rodion is trying to kill the interest-on-line - puts her blows with an ax on the head, but "she didn't even move from shocks, exactly wooden." He "looked at her from below in his face, looked and sacrificed: the old woman was sitting and laughed."

Raskolnikov trying to run, but there is nowhere to run - everywhere people. He wanted to be higher than this crowd ("creatures trembling"), but they laugh at his miserable attempt to change the world through the murder. The old woman is alive and also laughs at him, because, killing her, the splitters killed himself - her soul.

The meaning of sleep about laughing old woman.

The subconscious of the hero speaks of the meaninglessness of the murder, but he is not ready for repentance.

Symbolism:the laughter of the old woman is used as a method of debuning Napoleonic start to hero.

Full text of the episode "Sleep No. 4"

He forgot; It seemed strange to him that he did not remember how he could find himself on the street. Was already a late evening. Twilight thickened, the full moon was very brighter and brighter; But somehow it was especially stuffy in the air. People crowd went through the streets; Craftsmen and busy people diverged home, others walked; It smelled lime, dust, standing water. Raskolniks walked sad and concerned: He remembered very well that he left the house with some intention that it was necessary to do something and hurry, but what exactly was he forgotten. Suddenly he stopped and saw that on the other side of the street, on the sidewalk, there is a person and waving his hand. He went to him across the street, but suddenly this man turned and went on anything did not happen, lowering his head, not turning around and not feeding the species that he called him. "Yes, right, did he call?" - I thought the splitters, but I began to catch up. Not reaching the steps of ten, he suddenly recognized him and - frightened; It was a removal of the trades, in the same bathrobe and also crumpled. Raskolnikov walked out; his heart of his stouch; They turned in the alley - he did not turn everything. "Does he know that I go for him?" - I thought the splitters. The trashman entered the gate of one big house. Raskolnikov quickly approached the gate and began to look: does he not look like and will not look like him? In fact, having passed through the courtyard and already leaving the courtyard, he suddenly turned around and again exactly as she waved him. Raskolnikov immediately passed the doorway, but in the courtyard there was no tradesman. It became, he entered here now on the first staircase. Raskolnikov rushed after him. In fact, two more meaningful, unhurried steps were heard by two stairs. Strange, the staircase was as if acquaintances! Won window in the first floor; Sad and mysteriously passed through the glass moonlight; That's the second floor. Ba! This is the same apartment in which workers smeared ... How did he not recognize next? Steps ahead of the walking man sank: "It became, he stopped or hidden somewhere." Here is the third floor; Will it go further? And what silence there, even scary ... But he went. His noise of his own steps scared and worried. God, like dark! The tradesman, right, here somewhere attached to the corner. BUT! The apartment is reversed the ladder; He thought and entered. The front was very dark and empty, nor the soul, as if everything was carried out; Quietly, he passed on the living room: the whole room was brightly lined with moonlight; Everything is still: chairs, a mirror, a yellow sofa and pictures within. Huge, round, copper-red month looked directly into the windows. "This is from the month of such silence," the splitters thought, "he, right, now the riddle comes up." He stood and waited, waited for a long time, and the quieter was a month, the stronger his heart stuck, even painfully became. And all silence. Suddenly he heard instant dry crackle, as if he broke the rauchink, and everything was frozen again. The wokeered fly suddenly hit the glass and fell asleep. At the most minute, and the corner, between the small closet and the window, he saw as if hanging on the Salop wall. "Why is there Salop? "He thought," after all, it was not before ... "He came slowly and guessed that he was hiding behind the salop. He looked cautiously by the Salop hand and saw that there was a chair here, and an old woman was sitting on a chair in a corner, all loose and tilting his head, so he could not see her face, but it was she. He stood above her: "Afraid!" - He thought, quietly released an ax and hit the old woman by the pattern, once and the other. But strange: she did not even move from shock, precisely wooden. He was frightened, bent closer and began to look at her; But she stopped her head even lower. He stuck at all towards the floor and looked at her back in his face, looked and sacrificed: the old woman sat and laughed, "so fled to a quiet, silent laugh, from all his strength, so that he did not hear her. Suddenly it seemed to him that the door from the bedroom was barely abandoned and that there, too, as if laughed and whisper. The rabies overcame him: He began to beat the old woman on his head, but with each blow of the ax, the laughter and whisper from the bedroom were heard and more heard, and the old woman was so much and drove away from the laughter. He rushed to run, but all the hallway is already full of people, the doors on the stairs are turned out to be ladder, and on the site, on the stairs and go there - all people, head with head, everyone is looking, - but everyone attached and wait, silent ... his heart was shy, Feet do not move, increased ... He wanted to scream and woke up.

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Sleep about Trikhens.

The last dream of Skolnikova shows the result of his heavy and long inner struggle with himself. Sleep events unfold in the fantastic world.

The hero sees the terrible paintings of the end of the world, which is approaching due to terrible disease caused by new microbes - Trikhin. They penetrate the brain and inspire
man that only he is alone in all right. Infected people kill each other.

Moral guidelines are lost. However, there are several people who have sinking this disease and were able to survive. It is they who can save humanity, but no one sees them and does not hear. Meaning: Dostoevsky shows the exit - you need to overcome moral nigilism, and then people will be able to understand God, open the truth. The hero refuses its theory, aware of what permissiveness can lead to.

Symbolism: Sleep - cleansing and revival of the hero.

Dream value. The dreams help to understand the psychology of the hero and show how the Okolnikov worldview changes.

In the novel "Crime and Punishment", a certain place is given to the description of dreams that see the main character. These dreams allow the reader to look into the innermost corners of his consciousness and it is better to understand the reasons for his actions. In the novel presented four sides Rodion Skolnikov. Of these, he sees two before committing a crime and two - after.

The first terrible Skolnikov's sleep returns him to childhood. But there is nothing light and rainbow in this dream.

On the contrary, the city of Childhood Raskolnikova is very similar to Petersburg, with his gloomy and stubbly atmosphere of medium-sized streets. The "heroes" of sleep are also similar to residents of the capital: all the same drunken men who crave cruel entertainment. A special place in a dream is a description of the miserable klyachi, which is brutally scored to death. What is happening so monstrous and meaningless that the heart of the little parents overwhelms the dedication feeling of compassion and bitterness from the awareness of his own helplessness. The writer deliberately describes the murder scene very detailed, with special care. He seeks to emphasize the anti-abnormalities of violence and human cruelty. Waking up, the splitters are horrified by what they were conceived. Hero's humane essence opposed a priedreative crime, his bright soul repels the idea of \u200b\u200bthe murder of the old woman.

The action of the second sleep Skolnikov occurs in the desert. But in this hot desert there is a wonderful oasis with palm trees, camels, and most importantly, with clean and cool water. In a dream, water is a symbol of life. The inner "I" of the main character is striving for clean and lifeful moisture, and not at all to death and violence. Unfortunately, the splitters are in no hurry to listen to the inner voice.

After committing the murder, the splitters sees its next dream. The hero returns to the crime scene and again survives the moment of strikes. He is trying to kill the old woman in a dream, but she sits on the floor and laughs silently over him, over his theory. Perhaps, thus the subconscious of Raskolnikov convinces him in the inhumanity and senselessness of the murder. However, the hero is not ready for repentance.

The fourth dream dreamed of Raskolnikov already at Katorga. The events of this sleep unfold in the fantastic world. The writer depicts a terrible picture of the apocalypse. The whole world is crazy: moral landmarks are lost, people no longer distinguish well and evil, they cruelly kill each other. The world is doomed to self-destruct, because each person began to consider it significant only himself, and his point of view is the only right. Human life has lost all values. After this dream, the Raskolnikov realized the fallacy of his "Napoleonic" theory and understood what could lead to the "principle of permissiveness".