Social science
5 - 9 grades
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On the humanistic response to the challenges of the time. From the work of the Italian scientist, the first president of the International Club of Rome, Aurelio Peccei "One Hundred Pages for the Future."
A modern person is absorbed in his daily concerns related to the material sphere ... Such a person appreciates more artificial, which he knows how to or tries to create himself, - as I have already written, - than the natural world that created him. He is primarily interested in what he creates himself - even his own food, which he keeps in cans, bottles, freezes, prepares. Nature is in the background, at the very end. Loss of value and others like him; there are so many of them; he does not communicate with them; he is in a hurry to do other things ... And yet he feels like an emptiness grows inside him, he would like to understand himself, to give greater significance to what he is and his business. But his thinking is erroneous and serves this purpose badly.
A new fundamental idea is needed ... This new humanism, adapted to the technological age, will have to radically renew and change the principles and norms that were still inviolable; he must give impetus to the emergence of new value systems and spiritual, ethical, philosophical, social, political, aesthetic, creative motives of behavior that will restore our inner balance, and he must be able to restore in us as the highest good and need love, friendship, mutual understanding, solidarity, sacrifice, coexistence, to make us feel that the stronger these benefits and needs connect us with our brothers and sisters all over the world, the greater our gain will be.
This new humanism must also be enlightened enough, strong, flexible enough to give us the ability to control material revolutions, to show us how to support and direct towards peaceful and constructive forms a socio-political revolution, which now we can only observe, see how it matures or explodes with violence, and in order to make us understand that never, under any circumstances, we should no longer give up the priority of the spiritual.
Questions and tasks to the document
1) What is the main idea of the fragment? Find a statement in the text of the paragraph that reflects this idea.
2) The above text was written in the 80s. XX century Is it relevant today? Give reasons for your assessment.
3) What are the losses in the spiritual sphere caused to mankind by technical progress in the XX century? Compare Peccei's judgments about this with the threats of the 21st century. in the field of culture. Make a conclusion.
4) What are the highest benefits and needs the author considers the most significant? Give your opinion why these.
5) How do you understand the words of the author about the material and socio-political revolutions? With what provisions of the paragraph on the problems of the XXI century. can you relate these words? Explain this connection.
6) Why does the author call his views a new humanism?
7) If you were assigned to write an essay about the future, what problems would you raise in it?
On the humanistic response to the challenges of the time. From the work of the Italian scientist, the first president of the International Club of Rome Aurelio Peccei "One Hundred Pages for the Future."
A modern person is absorbed in his daily concerns related to the material sphere ... Such a person appreciates more artificial, which he knows how to or tries to create himself, - as I have already written, - than the natural world that created him. He is primarily interested in what he creates himself - even his own food, which he keeps in cans, bottles, freezes, prepares. Nature is in the background, at the very end. Loss of value and others like him; there are so many of them; he does not communicate with them; he is in a hurry to do other things ... And yet he feels like an emptiness grows inside him, he would like to understand himself, to give greater significance to what he is and his business. But his thinking is erroneous and serves this purpose badly.
A new fundamental idea is needed ... This new humanism, adapted to the technological age, will have to radically renew and change the principles and norms that were still inviolable; he must give impetus to the emergence of new value systems and spiritual, ethical, philosophical, social, political, aesthetic, creative motives of behavior that will restore our inner balance, and he must be able to restore in us as the highest good and need love, friendship, mutual understanding, solidarity, sacrifice, coexistence, to make us feel that the stronger these benefits and needs connect us with our brothers and sisters all over the world, the greater our gain will be.
This new humanism must also be enlightened enough, strong, flexible enough to give us the ability to control material revolutions, to show us how to support and direct towards peaceful and constructive forms a socio-political revolution, which now we can only observe, see how it matures or explodes with violence, and in order to make us understand that never, under any circumstances, we should no longer give up the priority of the spiritual.
"The best prophet for the future is the past."
J. Byron (1788-1824), English poet
Once Fire and Water met on the way. Fire does not like to sit still. Even when he is locked in a stove or hearth, he only thinks how to jump out. Water is also fidgety, always striving somewhere. So they decided to take a walk in their free moment.
Only they greeted, they see - there is Honor. Fire and Water were surprised, they had never met Honor on the road before. This is not such a frivolous signora to run from one place to another or wander along the roads. After all, they did not know that today she had to leave one noble cavalier who had committed a dishonorable act.
Signora Honor, - said Fire and Water, - would you do the honor to walk with us?
Thank you for the invitation, - said Honor. - I'm sure it will be a pleasant trip. But, excuse me, it is my rule to always know what my companions are doing.
Oh, do not worry, Signora Honor, - Water purred, - you will not have to be ashamed of the fact that you are walking with me. I quench the travelers' thirst, mine, wash, irrigate fields and turn mill wheels.
The water murmured the true truth. She only kept silent about the fact that sometimes her murmur turns into a deafening roar and then she breaks dams, floods villages and smashes ships into pieces. But who is pleased to say this about himself, and even at the first meeting?
And I, - said Fire, - illuminate and warm the dwellings, cook dinner and help the blacksmiths forge iron.
Fire did not want to look worse than Water in front of Honor. Therefore, he also kept silent about something. For example, that, after taking a walk, it can burn down an entire village or, falling from the sky, split the venerable old oak tree for fun, which would have stood for another three hundred years.
The honor, which was very scrupulous, but trusting, was delighted with such companions.
So let's go, friends, for a walk together! - she exclaimed.
Wait, - said Fire, - on the way, one of us can turn to the side or get left behind. We must agree on what signs we will find each other. You can recognize me from a distance by the smoke, because, as you know, there is no smoke without fire.
The water said:
Do not look for me where the plants have turned yellow and wilted, where the earth has cracked from the heat. I am where weeping willows, alder, reeds and tall green grass.
As for me, - said Honor, - I have no special signs. If you want to be friends with me, keep an eye on me not to get lost. Take care of me, as the crooked one protects its only eye. Because this is my amazing property, seniors: whoever loses me will never find me again.
And Honor, the only one of the three, told the true truth, not keeping silent about anything.
Most often, in literature lessons, but sometimes in Russian, there are tasks in which the teacher requires students to determine the main or main idea of the work.
However, in order to find the correct answer, and accordingly, and get a good grade, the guys must understand what this task is. That is, what is meant by the main idea of the work or its separate sentence.
To understand this issue as thoroughly as possible, read the article. And you will find out what the main idea of the text is.
The text does not have to be voluminous and consist of several simple, complex or complex sentences. There are even literary works that include only one capacious and understandable sentence.
And it itself is not always a long structure. Often in speech or writing, you can find such a form where all the necessary information will be conveyed in a single word.
Nevertheless, no matter how a story, a poem or everyday dialogue is presented, the main idea of the text is certainly present in it.
In most cases, we are faced with texts that include not one, but a whole group of sentences. The main condition for compiling a full-fledged, logical, meaningful and interesting text is the obligatory connection of these sentences grammatically and meaningfully:
Grammatical connection implies the dependence of the forms of the words of the current sentence with those that were used in the previous and next. That is, the proposals must be coordinated, as if flowing from one to the other.
Connection of sentences by meaning means that the entire text is connected by sentences and the main idea (common for the entire text), which can be traced in each of them.
So, we found out that sentences should be connected grammatically and meaningfully. However, the semantic connection must be built competently and logically. To do this, it is important to learn the following classification of the relationship of sentences in text or speech:
Chain- the peculiarity of the construction of the text is that each subsequent sentence reveals in more detail the content of the current one. For instance: The brown bear lives in the forest. The forest is the place where these animals build dens for themselves, hunt, breed. From an early age, the cubs learn to get their own food, in this they are helped by the mother bear.
Parallel - the nature of this connection is different, it implies equality of proposals (enumeration, comparison, opposition), and not "clinging" one to another. For instance: The weather was great outside, it was snowing. Vaska and I decided to meet and go sledging down the mountain. Only when we barely climbed to the top, and I was already preparing to race to slide down, my friend chickened out. The idea failed, and the mood was ruined.
Thus, in order to understand what the main idea of the text is, one should delve into the content and produce a mental analysis of each sentence.
Additional parts of speech help to organically fit sentences into the text. For example, you can use conjunctions, particles, introductory words, pronouns, etc. After all, it is they that give liveliness, brightness and saturation to the dry statement of facts.
The correct (in meaning and grammatical) construction of sentences is precisely what serves to form the main idea and, therefore, the topic of the text.
The theme is the direction of the work, the problem that rises in it, its essence. It defines what the narrative is, the content of the text. Often expressed directly in the title.
The main (main) idea is the author's message to the readers, what he wanted to convey to people, to the world with the help of his work. It can be expressed in the title or in one of the sentences of the text, but more often it must be “fished out” by yourself, having carefully read the entire text.
Remember the saying that sounded in the famous work of Alexander Sergeevich Pushkin that your parents and grandparents probably read to you in childhood? If not, then this is what it is: "A fairy tale is a lie, but there is a hint in it, a lesson for good fellows!"
Later, this expression became a catch phrase, referring to almost all children's stories described in books. And to many adult works too. After all, a "lesson" is a combination of the theme and the main idea of any work. Something that has a certain educational influence on us.
However, in order to catch this very hint, you need to figure out what the main idea of the tale suggests. In other words, to learn how to independently define the topic and main idea of the text.
In order to correctly identify the idea of the work, you should remember the following aspects, which are important to be guided by when reading any text:
Follow the flow of the narrative, the development of events and logic.
Pay attention to headings (they can be metaphorical or associative) and keywords that alternate with synonyms throughout the text.
As you read, analyze what is important for the author, what points he emphasizes more.
After reading the work, try to cite from the text or formulate your own conclusion of the story.
Remember: to understand what the main idea of the text is, the observance of the above-described evaluation criteria, as well as a combination of synthesis and analysis of both the entire text and its individual details, will help.