... he forgot; It seemed strange to him that he did not remember how he could find himself on the street. Was already a late evening. Twilight thickened, the full moon was very brighter and brighter; But somehow it was especially stuffy in the air. People crowd went through the streets; Craftsmen and busy people diverged home, others walked; It smelled lime, dust, standing water. Raskolniks walked sad and concerned: He remembered very well that he left the house with some intention that it was necessary to do something and hurry, but what exactly was he forgotten. Suddenly he stopped and saw that on the other side of the street, on the sidewalk, there is a person and waving his hand. He went to him across the street, but suddenly this man turned and went on anything did not happen, lowering his head, not turning around and not feeding the species that he called him. "Yes, right, did he call?" - I thought the splitters, but I began to catch up. Not reaching the steps of ten, he suddenly recognized him and - frightened; It was a removal of the trades, in the same bathrobe and also crumpled. Raskolnikov walked out; his heart of his stouch; They turned in the alley - he did not turn everything. "Does he know that I go for him?" - I thought the splitters. The trashman entered the gate of one big house. Raskolnikov quickly approached the gate and began to look: does he not look like and will not look like him? In fact, having passed through the courtyard and already leaving the courtyard, he suddenly turned around and again exactly as she waved him. Raskolnikov immediately passed the doorway, but in the courtyard there was no tradesman. It became, he entered here now on the first staircase. Raskolnikov rushed after him. In fact, two more meaningful, unhurried steps were heard by two stairs. Strange, the staircase was as if acquaintances! Won window in the first floor; Sad and mysteriously passed through the glass moonlight; That's the second floor. Ba! This is the same apartment in which workers smeared ... How did he not recognize next? Steps ahead of a walking man sank: it became, he stopped or hidden somewhere. " Here is the third floor; Will it go further? And what silence there, even scary ... But he went. His noise of his own steps scared and worried. God, like dark! The tradesman, right, here somewhere attached to the corner. BUT! The apartment is reversed the ladder; He thought and entered. The front was very dark and empty, nor the soul, as if everything was carried out; Quietly, he passed on the living room: the whole room was brightly lined with moonlight; Everything is still: chairs, a mirror, a yellow sofa and pictures within. Huge, round, copper-red month looked directly into the windows. "This is from the month of such silence," the splitters thought, "he, right, now the riddle comes up." He stood and waited, waited for a long time, and the quieter was a month, the stronger his heart stuck, even painfully became. And all silence. Suddenly he heard instant dry crackle, as if he broke the rauchink, and everything was frozen again. The wokeered fly suddenly hit the glass and fell asleep. At the most minute, and the corner, between the small closet and the window, he saw as if hanging on the Salop wall. "Why is there Salop? "He thought," after all, it was not before ... "He came slowly and guessed that he was hiding behind the salop. He looked cautiously by the Salop hand and saw that there was a chair here, and an old woman was sitting on a chair in a corner, all loose and tilting his head, so he could not see her face, but it was she. He stood above her: "Afraid!" - He thought, quietly released an ax and hit the old woman by the pattern, once and the other. But strange: she did not even move from shock, precisely wooden. He was frightened, bent closer and began to look at her; But she stopped her head even lower. He stuck at all towards the floor and looked at her back in his face, looked and sacrificed: the old woman sat and laughed, "so fled to a quiet, silent laugh, from all his strength, so that he did not hear her. Suddenly it seemed to him that the door from the bedroom was barely abandoned and that there, too, as if laughed and whisper. The rabies overcame him: He began to beat the old woman with all his strength, but with each blow of the ax, the laughter and whisper from the bedroom were heard and more heard, and the old woman was so fat and drove away from the laughter. He rushed to run, but all the hallway is already full of people, the doors on the stairs are turned out to be ladder, and on the site, on the stairs and go there - all people, head with head, everyone is looking, - but everyone attached and wait, silent ... his heart was shy, Feet do not move, increased ... He wanted to scream and woke up.

Crime and Punishment. Figyth Film 1969 1 series

F. M. Dostoevsky "Crime and Punishment", Part 3, Chapter VI. Read also Articles:

Oksana Moskalenko

The poetics of dreams in the novel "Crime and Punishment"

Preparatory stage

The lesson "Poetics of dreams" I always predict the lesson "The role and place of the episode in the artistic text", in which we take episodes from the "Crime and Punishment" as a sample (for example, "Raskolnikov in the Nikolaev Bridge").

After that, the lesson of the theory of an episode analysis and a joint attempt with the teacher to analyze a specific episode on its own lesson on dreams in the novel is more consciously. The guys are easier to see the plot and ideological chains from the episode to the whole novel as a whole, they are visible to the details, strokes. This peculiar block of lessons on the analysis of the episode and Snam Skolnikova completes homemade essay One of the three to choose from:

• "Sonya and Raskolnikov read the Gospel",
• "Raskolnikova and Marmaladov meeting in the resolving",
• "The role of the epilogue in the novel."

During the classes

Life is a dream.
Calderon

We give an exemplary scheme of conversation, questions and answers, allocating it internally, what would be worthwhile, in our opinion, bring students. You can start with a small joining the topic of sleep in the literature of different eras. Here is one of the options.

Since ancient times, an artistic image of dreams played an important role in folklore and literature. Homer distinguishes the prophetic and false dreams. Plato said that she was not a dream, but life itself.

In medieval Europe, people superstitly followed the proper dreams; Dream Interpretation was one of the most popular books. These superstitions went even in the era of the Renaissance, Shakespeare said the mouth of his hero:

We ourselves are made of dreams,
And this little life
Dreams surround ...

Romance itself real reality appeared bitter bed. Intended lyrical psychological experiments in this area we find Lermontov (especially in the poem "Sleep", which, by the way, loved Dostoevsky). Mysterious and mystical sleep in the ballad of Zhukovsky "Svetlana".

After Zhukovsky, the most significant word wizards resorted to the image of sleep.

In the work of what Russian writers did you come across a dream of dreams?

(Pushkin, Lermontov, Gogol, Goncharov.)

Special influence on Dostoevsky had a dream in the prose of Pushkin and Gogol.

What dreams from the works of Pushkin can you remember?

(Dreams of Refreyshev in Boris Godunov - he dreams drop from height; the motif of falling from height in the metaphorical form includes both the "peak lady", where Germans cool down and falls from the steps at the old woman's coffin; Hermann's dream with the vision of the old woman.)

What is the features of using dreams in the work of Gogol?

(Gogol's dreams are even more diverse, dramatic, sometimes mysterious. In Nevsky Prospect and "Portrait", Gogol brilliantly developed the stunning effect of imaginary awakening, thanks to which he inserts one dream to another like Matryoshki. Gogol influence on Dostoevsky in the field of dream transmission was, apparently determining*.)

Researcher of Creativity Dostoevsky M.M. Bakhtin argues that there is no writer in the whole European literature, in whose work the dreams would play such a big role as Dostoevsky. According to Bakhtina, in the work of Dostoevsky, a dream leads to a sharp penalty in the inner life of a person, to its reincarnation and update.

Dostoevsky believed that in a dream, the forgotten experiences of people float in spheres, controlled by consciousness, and therefore, through their dreams, a person knows himself better. The dreams of heroes reveal their inner essence - the one that the wakeful mind does not want to notice.

Dostoevsky subconscious is, as a rule, prison for remorse. In the dreams of his heroes from this prison, conscience is broken or fear. For Dostoevsky, Mind, servant of the lower and dangerous desires, immoral, and in the subconscious of a person lives a spontaneous love for the whole living, thrust to other people.

In order to study the dream of the heroes of Dostoevsky, their genesis, internal poetic building and functions in the work, carry out a compressed analysis of dreams in the novel "Crime and Punishment".

1. Sleep about a horses scored

What is this dream? (Short retelling.)

The main symbol of this sleep is borrowed by Dostoevsky from the street scene in the cycle of Nekrasov's poems "On the weather".

An excerpt is read from Nekrasov poems.

What is the difference in the image of this street scene in Nekrasov and Dostoevsky?

(Nekrasov Name - Strying, narration in the tones of mournful indignation. Dostoevsky - detailing the picture of this atrocity, sharply strengthened the observer response rushing with fists on a man and kissing horse.)

And now compare this dream with Sno Oblomov. What will be the basis for comparison?

(Childhood of heroes.)

Match these dreams. What is the difference between childhood memories of heroes?

(Idylli Baroic Childhood In Sleepy Oblome, another province and other childhood is opposed - Darkness, barbarism, cruelty.)

Currently in the details of Skullnikov's sleep. Where is the event? What realms of the city are rushed into the eyes?

(Cabac and church.)

Throw out what associations occur when mentioning in this context of these images?

(The atmosphere of the city-Kabaka, indifference to people to each other; Drunk, terrible faces are a consequence of a crazy world, in which all ties with God are lost.)

What is the emotional response of little parents to the church and the Kabak?

(Kabaka he fears, and the church loves ...)

Make sure that these images appear in Skolnikov's dream. What events in the novel predetermined these images in the dream of Skolnikov?

(There was a letter of the mother -\u003e in it a story about the Duna -\u003e Wedding Duni (hungry for a wedding, that is, to the church) \u003d Victim of Duni \u003d Sony's victim -\u003e price and essence of compassion.

The church is also a symbol of a female start, invariably merciful, compassionate, maternal. And Kabak - on the contrary, the beginning of the male, which in the children's consciousness was invariably identified with violence.

And so we come to understanding the secret meaning of this sleep: the hero is torn between mercy and violence, good and evil. It split Overall.)

What did this sleep prepared? What was preceded by the plot? Where is the "hook" of sleep with what happened before? What are the points of contact?

(1. When the splitters "goes on a sample" (connection with the murder), then meets a huge telagwith Lomova horse and some drunk.

2. Mother's letter and reminder that "leptal" prayers W. father On the knees, that is, a kind of call to remember childhood.)

What is the role of this episode in the novel?

(Dostoevsky, this dream, characterizes the Raskolnikova as a person, by nature a humane, not accepting bloodshed. "Human subconsciousness" faces an embittered hero's mind. Sleep dramatizes his mental struggle and makes up the most important event in the novel, the threads are drawn from it to other events - Katerina Ivanovna shouts about himself: "Klyach leated"; Molka from Sleep and Molka-painter. Sleeping Skolnikova means a riot of his nature against a misconception.)

2. Son O. re-murder Stars

Retell (briefly) This dream.

Analyze the sound palette of sleep ... (silence - laughter).

What image in Russian literature the image of a laughing old woman of the percentage officers is consonant?

(Winking to the coffin of the Countess and the winking peak lady on the map in the "peak lady".)

Raskolnikov hits this laughing old woman and runs away. Who meets on the way?

(Crowds of the people, silently look at him.)

Where, in what dream in Russian literature there is a crowd, the mass of the people?

("Boris Godunov" - a three-time prophetic dream of Freakyev with the masses of the people on the square, ridiculed the impostor and its fall from the height.)

What could mean this moment of sleep, created, possibly, under the influence of Dreams of Freakyev?

(Internal defeat of Raskolnikov and the premonition of the nationwide condemnation and shame. The hero subconsciously realized that he was not Napoleon. And this dream will affect his further behavior.)

3. Last Skolnikov's last dream about Trikhens

What do you think, why do this dream call the "philosophical" outcome of the novel? (Short retelling.)

What led humanity to death?

(Refusal from the general criteria of truth, from ultra-sullen moral unity.)

How is this dream connected with the fate of Skolnikov?

(This dream is the only motivation of the rebirth of the hero. Recruitment was not, the dream about Trikhens produced a decisive fracture in his soul. His idea in the subconscious took shape to the end, found his logical conclusion - the denial of dogmas, commandments of humanity, morality leads to the destruction of universal, which turns the hero to people.

Dostoevsky makes it possible to solve the nightmare of life, and then awakens to reality - to ethical reality, to reunion with folk being.)

Makes sense to lead on the board support lesson. He can look like that.

In his novels F. M. Dostoevsky reveals complex processes The inner life of their heroes, their feelings, emotions, secret desires, experiences and fears. In this context, the characteristics of the characters acquire special significance. Sleep, like a composite element, can perform various functions and carry its special semantic load. Let's try to figure out what the role and importance of dreams in the novel "Crime and Punishment".

The first time Dostoevsky introduces a dream in the first part of the work, even before the murder of the old woman. Slowing out on the street because of a painful state and drunk on the eve of a glass, Raskolnikov sees their childhood: a little knowing with his father walks outside the city in a bright festive day, but soon I idyll violates one scary episode. The young man of the Molik, coming out of the Kabaka, begins to whip his "skinny savory klyachonka", which is not under the power of the cargo in the form of a short ten man, and then finishing it with iron scrap. The first thing that lies on the surface is what pure children's Skolnikov nature protests against violence. Little Rodion runs up to the klyachonka and kisses it into a bloody face, and then with his cams rushes for a broken "horse" Molts. The fact that it is precisely a child look at the situation is that it is no coincidence. Children's consciousness is clean and unsubscribed by any theories, the child lives - with a heart. And in the soul of Raskolnikov, this child struggles with his mind that gives rise to so destructive casuistic theories. Here is the duality of nature of the main character. About the painful splitness of Skolnikov also testify the two opposite images from his sleep - the church and the Kabak. Kabak - is a symbol of what people are ruined, this is the focus of evil, debauchery, recklessness, this is the place where a person loses his human appearance (it is no coincidence that morally dodged Svidrigaylov - frequenter of kabaks and other "cluck", because one of the signs of depravity is the lack of a certain aesthetic feeling). The church personifies the whole best that is in human nature. It is characteristic that the Church loved to walk to the church, and Kabak always made it a "unpleasant impression." Thus, the Kabak and the church in the metaphorical plan are moral guidelines of a person in real life. It is symbolic that Rodion is delayed at the Kabaka along the way to church and does not fall into it. In my opinion, it can be interpreted in two ways. For example, this may mean on the one hand that the splitters turned from the true path, and on the other, that he did it still not in his will, but in the name of the horse Molka, symbolizing all "humiliated and offended." It is noteworthy that with this episode of Sleep Skolnikova echoes the bitter exclamation of Katerina Ivanovna: "Klyach leated! Trank-AR!".

However, it is worth it in more detail on the horse and its symbolism. In addition to the fact that it represents, whose benefit is fighting, she symbolizes that the most "useless loss", the old woman who has become a victim. That is, this dream predicts the very bloody events in the future. Therefore, waking up, the Raskolnikov rejects from their "damned dreams" and wonders: "Yes, really, really, I really take an ax, I will hit the head, smake her skull ... I will slide in a sticky warm blood, hack the castle in a sticky blood , steal and tremble; hide, all blood flooded ... with an ax. Lord, really? " And if the horse is an old-year older, then it will be logical to assume that Molka is a splitter. And then the reasoning again affects the theme of the duality of the Raskolnikov that it can be a sinless naive child and a terrible killer. It is noteworthy, in my opinion, and the fact that the name of the Molka appears in the text more than once. Indeed, between Molts from Sleep and Molts, created in a crime, you can take a parallel. With the first Molka Raskolnikov, the perfect atrocity relates to the second Molka, it is interesting that Porphyry Petrovich mentions that Molka from Raskolnikov. Surely, this is not a simple coincidence, but a conscious author's reference to the flower hero. Thus, the second Molka seems to make an example of Raskolnikov, shows how he needs to enter the situation. Molka although it appears only in several episodes of the novel, its image is very important. He is a symbol of voluntary suffering, only through him on Dostoevsky you can redeem my sins, clean and morally reborn.

She sees his third dream of the Raskolnikov already at Katorga. In this dream, he, as it were, rethinking the events that occurred, his theory. Raskolnikov seems to be as if the whole world was convicted of "terrible ... by marine ulcer." There were some new microscopic beings, Trikhins, infecting people and making them barely, do not hear and do not understand others, considering only their opinion absolutely faithful and the only right. Leaving his classes, crafts and agriculture, people kill each other in some meaningless malice. Fires begin, hunger, digest everything around. Only a few people, "clean and elected" can be saved all over the world, but no one has ever seen them. This dream is the extreme embodiment of the individualistic theory of Raskolnikov, showing the threatening results of the detrimental effect of it on peace and humanity. Scarcterno that individualism is now identified in the mind of Rodion with non-innovation and madness. In fact, the idea of \u200b\u200bthe hero about strong personalities, Napoleons, which "everything is permitted," is now present to him the disease, madness, turbidity of the mind. Moreover, the spread of this theory around the world is what causes the greatest concerns of Skolnikov. Now the hero is aware that the idea of \u200b\u200bhim is opposed to the human nature, mind, divine world order. Understanding and accepting all this with his soul, the splitters are experiencing moral enlightenment. It is not for nothing after this dream, he begins to realize his love for the Son, who opens his faith in life.

Another person besides Skolnikov, who sees dreams, - Svirigaylov. And it is noteworthy that this fact to some extent determines their dough. Conscience to the end does not leave one, nor the other. On the eve of the suicide, Svidrigayilov sees a few dreams, one goes into another. It is essential that the transitions of Svidrigaylov from one sleep to another have their inner logic: "... In dreams there is a deprait theme increasing from the first to the third"; In the first dream, where the mouse appears, the topic of debauchery "is given only by the hint, only a feeling of slippery, nasty", in the second dream there is a drowned girl, "the victim of debauchery", in the third dream - a five-year-old "girl", "debauchery completely mastered it" . The image of a five-year-old, which emerged in Svidrigaylov's dream, is deeply symbolic, because it embodies the possible limit of the human fall, which is terrifying even Svidrigaylov. This dream can also characterize Swidrigaila as a person who is not able to revive. As the age of his "victims" varies from twelve to sixteen, it seems it is quite possible that one day it can "lower the bar". Children for Dostoevsky - Sacred, so it is not difficult to guess that the deeds of Svidrigaylov are regarded by the author as hardly the worst sin. And perhaps suicide - there was an ethnic way out of this hell, in which hero himself himself and drove.

Thus, the dreams and vision of the heroes of the novel transmit their internal states, feelings, intimate desires and secret fears. Composite dreams often anticipate future events. In addition, the dreams are echoing with ideological design of the work and with the author's assessment of certain events.

Raskolnikov and Sonya went to Siberia - where on the shore of a wide, desert river is the city, one of the administrative centers of Russia: the fortress in the city, in the fortress is Ostrog.

The proceedings in the case of Raskolnikova passed without great difficulties. The criminal firmly, accurately and clearly supported his testimony, not confusing circumstances, not softening them in his favor, not distorting facts, not forgetting the slightest details.

The sentence was gracious than it could be expected, judging by the crime. All strange and special circumstances of the case were taken into account ... The painful and plight of the criminal before the crime committed. What he did not take advantage of robbed. The circumstance of the inappropriate murder of Lizaveta even served as an example, supporting the assumption of imperfectly sound state of mental abilities: a person makes two murders and at the same time forgets that the door stands out. Finally, the appearance of the Council ... The criminal was awarded to the cowel work of the second category for the period of eight years.

Documentary photos. Singing the cortex in the shackles in the royal time.

"He looked at his fellow comrades and wondered: how they all loved life, as they treated her! It was him that it seemed that she was even more loved and appreciated, and more value it than in freedom. What terrible flour and torture did not move other of them, such as tramps! Is it really so much for them to mean one of any ray of the sun, a dense forest, somewhere in the unknown wilderness, the cold key, marked since the third year and about a date with whom the tramp dreams, as a date with his mistress, sees it in a dream, Green grass around him, Summer birds in a bush? "

Documentary photos. Tsar's Time Pavor.

He himself did not love and avoided everything. His even began to hate at the end. They despised him, laughed at his crime those who were much crime. "You are a barin! - They talked to him. - Whether you were with an ax to walk; Not Barsky is at all. " "You're a bootiness! You do not believe in God! - shouted to him. You need to kill you. "

The reason for this is ... "The most prominent and unknown killer still knows that he is a criminal, that is, according to the conscience, he believes that he was not good, although without remorse."

Another question was for himself: why did they all be so loved by Sonya? When she was on the jobs, coming to the Raskolnik, - all filmed the caps, all bowed: "Mother, Sophia Semenovna, Mother You are, tender, disease!" - These are rude, stimpleny cores to this little and skinny creating. She smiled and spoke, and they all loved when she smiled them. They even loved her gait, turned around to see her, as she goes, and praised her; It was praised even for the fact that she was so small, even did not even know what to praise. It even went to be treated.

One year staying in the eight katorga was dead:
without repentance for the sodden "Promach Simple".
"He was sick of vulnerable pride."
Ernst Unknown. Illustrations for "crime and punishment."

Oh, how happy he was, if he could blame himself! He would demolish everything, even shame and shame. But he strictly judged herself, and his fierce conscience did not find any particularly terrible guilt in his past, except for the simple mischievous,
Which with all could happen.

And at least fate sent him a repentance - Zaguya Remaining, breaking the heart, who distinguishes the dream, such a repentance, from the terrible flour of whom he will have a loop and outer! Oh, he would have delighted him! Flour and tears - after all, this is also life. But he did not repent of his crime.

He also suffered from thought: why did he not kill himself then? Why did he stand then over the river and preferred the turn on the jaw? Is such force in this desire to live and so hard to overcome it? Challenged Svidrigaylov, afraid of death? "

"He was dreaming in the disease, as if the whole world was convicted of a sacrifice of some terrible, unheard of and unprecedented by marine ulcer, which comes from the depths of Asia to Europe. Everyone had to die, except for some, very few chosen.

There were some new trichins, the creatures of the microscopic, which were unominated in the body of people. But these creatures were perfume gifted by the mind and will. People who took them in themselves became immediately launched and crazy. But never, never people did not consider themselves as smart and unshakable in truth, as they believed contaminated. Never considered unshakable their sentences, their scientific conclusions, their moral beliefs and beliefs. "

Fourth Skolnikov's sleep - "Apocalyptic" ...
Jan Van Eyk. "The Last Court." Fragment. 1420-1425.
City Museum of Arts, New York.

"Whole villages, whole cities and peoples have become infected and messed. Everyone was anxious and did not understand each other, everyone thought that in him in one and the truth was, and suffered, looking at others, he beat himself in his chest, cried and broke his hands. They did not know who and how to judge, could not agree to consider evil that good. They did not know who to blame who would justify. "

Fourth Skolnikov's sleep - "Apocalyptic" ...
Jan Van Eyk. "The Last Court." Fragment. 1420-1425.
City Museum of Arts, New York.

"People killed each other in some meaningless malice. They gathered on each other with whole armies, but the army, already in the campaign, suddenly began to distort themselves, the ranks were frustrated, the warriors threw each other, whether each other was broken, they were bodied. "

, Fourth Skolnikov's sleep - "Apocalyptic" ...

"In the cities all day beat in Nabat: they convened everyone, but who and for something calls, no one knew that, and everyone was alarm. Left the most ordinary crafts, because everyone offered his thoughts, his amendments, and could not agree; Stopped agriculture. In some places, people flew into the heaps, agreed together on something, did not part, they immediately started something completely different than now they themselves assumed, began to accuse each other, fought and cut. Fires began, hunger began. All and died everything. "

Fourth Skolnikov's sleep - "Apocalyptic" ...

"The ulcer grew and moved further and further. Only a few people can escape around the world, these were clean and elected, intended to start a new genus of people and a new life, to update and clean the earth, but no one has seen these people anywhere, no one heard their words and voices. "

Fourth Skolnikov's sleep - "Apocalyptic" ...
Jan Van Eyk. "The Last Court." Fragment. 1420-1425.
City Museum of Arts, New York.

In the third dream, Skolnikova all poured the moonlight. The deadly shade was reminded of the "last day of mankind", which is getting better and will certainly be accomplished, as a fact, an inevitable, irresistible, and the forever ...

The fourth sleep was able to deal with the dead dream of an idea that someone "took someone's" arithmetic "," took the tail and shakeped to hell. " Otherwise, it could not be, because four are the number of harmonization of the universe and everything that is in it.

Having survived in the dream of a world-scale catastrophe, which showed how naive, dead and empty on an arithmetic device public LifeWhen all personal is nothing, Raskolnikov recovered ...

For the revival of the soul left seven years, as requires a mythological account of time. And what, the splitters of the progress of God? No, already because he said something else ...
Ernst Unknown. Illustrations for "Crime and Punishment"

"Once in the evening, the solicitals had fallen at the same time at night, and suddenly saw Sonya away. She stood and as if she was waiting for something. Something like pierced at that moment his heart: he shuddered and quickly moved away from the window. The next day, Sonya did not disturb him with anxiety.

"Early in the morning, at six hours, he went to work, on the bank of the river, where in Sarah there was a calcined oven for Alabastra and where it was interpreted. Raskolnikov left the barn to the onshield ... and began to look at the wide and desert river. "

"Suddenly, Sonya found him cluttered ... They wanted to say, but could not. Tears stood in their eyes ... But in these sick and pale faces, it was already shining a dawn of an updated future, full of resurrection to a new life. They resurrected love, the heart of one was the endless sources of life for the other of the other. "

Love is the phenomenon of God?
In the novel, in my opinion, Raskolnikov
This thought has not yet opened ...

View of the plain coast of Irtysh with the "Mountains", on which Tobolsk stands - the capital of the endless Siberia. Hood - Tobolchanin
G. S. Bochanov. 1976.

"From the high shore, a wide neighborhood was opened.
From a long-range other shore, a song came a little heard. There, in the sun-dressed steppe in the sun, slightly noticeable points were stuck nomadic yurts. There was freedom and other people lived, not quite similar to the local, there, as it were, the time of Abraham and her student were not passed, the student of Abraham and her studies were not passed. "Raskolniki sat, looked motionless, without breaking; His thought passed into the contemplation of the lives of people who stay in the harmoniously arranged world, where everything, as the sky, earth and water, are coented, balanced, commensurate with each other. Destination has seen him in St. Petersburg, but the other is deaf, dumb, dead, Inseparable with the void that his cold soul kills his cold. Here, eternity was different - that very, which is peculiar to the "Golden Age" with his complete merger with space - the immeasiest of the Earth - and the time subordinate to the movement of the sun in the sky.

They say, after the cowor, Dostoevsky wrote the best novels.
Well knowing these places, I think his imagination, I am struck by the natural primacy of Siberia - endlessly, free.
View of Tobolsk with the floodplain of Irtysh. Hood G. S. Bochanov. 1992.

"Seven years, only seven years old!
At the beginning of his happiness, in other moments,
They both were ready to look at these seven years,
As seven days.

He did not even know that new life It does not give him a gift that it should be more expensive to buy, pay for her great, the future feat ... But here the new story begins, the story of the gradual renewal of man, the story of the gradual rebirth, the gradual transition from one world to another, dating new, They have a completely unknown reality.

It could make the topic of a new story, -
But our current story is over. "

View from the mansard window at home in St. Petersburg Dostoevsky.
Our friends were offered to live here in the White Nights of 2008,
to be able to shoot two cities on the Neva,
by catching the "rays of the setting, calling sun," where Dostoevsky lands.

We did not have a power running around the dial time, because it was not necessary to hurry anywhere, to be afraid to miss something. We lived in full fusion with sunrises, twilight, sunsets, as representatives of that future mankind, for which Dostoevsky wrote his sad and terrible novels.

We shot two cities on the Neva, there were two: Marina Breslav - my friend is beautiful - and me. We were all marked, united and checked, then Marina went to shoot. As a result, 22 mileage was made in St. Petersburg. Imagine how we were happy, simply impossible.

As the working material was gathered, I proposed it compositely, twisted in color, collapsed collages. My long-standing, miraculously surviving film photos, too, used, because they are rarities - determined what was done now.

The book of St. Petersburg Dostoevsky about the "eyelid gold" was made quickly, but crisis hit; Book trading quickly rebuilt, I had to close my publishing house "Time - Space - Architecture", nothing more to print, because the demand for books dried and dried.

Marina believes that everything will change with time.
I believe that the fate of a person is determined by over.
In the meantime ... Thanks to all participants, groups that were so actively come to me ...

Under the portico of St. Isaac's Cathedral.
And yet, I can not keep about it ... go and coming reforms in education, in which no one will take into account that children need to "bring up beauty", from which the direct path leads to the search for good and truth ...