How much talent did you need to have, in order to, practically without playing the main roles, be considered one of the best actresses of your century? A tragicomic actress who never played her most important role. She was doomed to loneliness because of her talent.

Ranevskaya's aphorisms are surprisingly popular; any writer can envy the frequency of citing her "trademark" expressions. She perceived the theater as a separate unique world. She was selflessly in love with him. Obviously, art rests on such people.

Her real name is Faina Girshevna Feldman. Her father's name was Girsh Khaimovich Feldman, and her mother was Milka Rafailovna Zagovailova. The pseudonym “Ranevskaya” will be invented for the girl only twenty years later. The girl was born on August 27, 1896 in the family of a Taganrog industrialist, at the turn of the Silver and Iron Ages. Her soul entirely belonged to the age of Pushkin. And she was destined to go through a bright and tragic path for her loneliness. It is about this - eloquent aphorisms about life, said by herself.

Childhood, youth

The character of the girl manifested itself in the gymnasium. She completely refused to attend the Mariinsky Gymnasium because of the study of the exact sciences. But with pleasure she devoted a lot of time to literature, singing. Faina Ranevskaya in her youth was already an incorrigible idealist. Looking ahead, let's say that she remained the same for the rest of her life. Then tactful parents transferred their daughter to home schooling.

At the age of 15, the girl firmly decided to become an actress, and studied at a creative studio, and at 19 she left for Moscow to become an actress.

Moscow ordeals. Help ballerina

Faina was in despair: she could not get a job in any metropolitan theater on her own. Faina Ranevskaya in her youth was like Andersen's ugly duckling. In a tall, shy and clumsy girl, the directors did not consider the divine gift of the actress. There was no money for life (my parents emigrated). In desperation, Faina asked for money from her father's former business partner, but he refused.

However, here, obviously, fate intervened. Just on the street, she, who had no means of subsistence, lonely and hopelessly leaning on a column of the opera house in Moscow, was seen by the famous ballerina Ekaterina Geltser. She took pity on “the most miserable girl in the world.”

Thanks to her participation, Ranevskaya Faina Georgievna got a job as an actress in the country theater of Malakhovka near Moscow, in the troupe of Madame Lavrovskaya. It was during that period that, with the light hand of the actors of Malakhovka, a nickname was assigned to her, which later became the stage name "Ranevskaya". Chekhov's heroine of the same name in The Cherry Orchard, as you know, tended to overspend. Faina Georgievna really resembled her in this respect. Sometimes immersion in her inner world prevailed over her common sense ...

Once in Kerch, where the dacha theater was touring, Ranevskaya went to the bank to get her salary. Going out into the street, she thoughtfully held the banknotes in her hands. When a sudden stream of wind swept them away, the girl only managed to say: “How sad when they fly away!” After this episode, no one called her by the name Feldman ... But the semi-amateur troupe could not nourish her talent for a long time.

In desperation from the deceit and mediocrity of fellow rogues on tour in Feodosia (she was not paid the money she earned), the actress leaves them and goes to Rostov.

Indeed, the dacha theater could become for Faina Georgievna only an intermediate milestone in her work. In fact, it did not even look like a temple of art. Uncreative people in the positions of actors and directors, everyday disorder. Many of Ranevskaya's statements testify to the discrepancy between acting ideals and reality.

Help actress Pavla Wolf

The future people's artist, who then only dreamed of the scenes of the capital's theaters, again became a beggar ... The brilliant actress Pavel Vulf, who performed in Rostov, turned out to be exactly the creative teacher that a romantic girl in love with art needed. Understanding the essence of the acting profession is distinguished by many aphorisms of Ranevskaya.

She taught Faina to really work creatively on the role like a demiurge: first, understanding it, studying it to the smallest nuances, comprehending the very soul of the heroine, and then inspiringly breathing life into her with her acting. Undoubtedly, thanks to her, the girl took place as a creative person, and her unique talent received a proper cut. Pavla Vulf taught her best student not to play, but to live on stage, to see what the author wrote between the lines and display it.

In difficult times, Pavel Wolf sheltered her, saved her from the horrors of the civil war, taking her to the relatively calm Feodosia. And already there, both of them managed to resist hunger, greedily grabbing absolutely any role. The help of Maximilian Voloshin, who lives not far from them (namely, in Koktebel), was of great help. Without the fish that he brought them, it would be completely hungry ...

NEP. Theatrical thaw

In 1923-1924. the NEP began. Finally, the country was satiated, moved away from hunger! It was the era of jazz, which at that time was associated with freedom of morals. The press stopped displaying decrees exclusively, and people read voraciously about celebrities, learning that:

• the poets Balmont and Yesenin took polygamy and drank;
• Akhmatova, falling in love with Blok, divorced Gumilyov and then recklessly entered into a series of marriages;
• A. Blok does not live with his wife, but V. Mayakovsky lives with someone else.

The young actress, full of creative powers, dreamed of audience fame, she wanted not only to play on stage, but to live in art. Ranevskaya's statements testify to this.

At that turbulent time, Pavel Vulf and Faina Ranevskaya received an invitation for one season from the Kazan Theater. Then both moved to Moscow. Ranevskaya Faina Georgievna met with the leading actor of the Moscow Art Theater V. I. Kachalov. Friendship with this man bound her until the end of his life. Her dream was to perform in this theater. However, it seems that at that time it was not destined to be implemented. Vasily Ivanovich even arranged for her a meeting with Nemirovich-Danchenko, but Ranevskaya was so embarrassed and confused at her that he called her “crazy”.

Playing in different theaters of the USSR

In 1925, Ranevskaya Faina Georgievna managed to play in three theaters: the Moscow MONO, the sanatorium theater in Artemovsk, and the Baku Workers' Theatre. In the latter, she met an actor. She brilliantly succeeds in roles in the performances “Our Youth” and “Hurricane”.

In 1926-1927. Pavel Vulf and Faina Ranevskaya performed first in Gomel, then in Smolensk. In their performance, the performance based on the work of K. A. Tenev “Love Yarovaya” came to life. Then Faina Georgievna changed two more theaters: Arkhangelsk and Stalingrad. It was in the latter, thanks to the assistance of director Boris Pyasetsky, that Ranevskaya herself began to invent roles for herself. He found the key to her talent. “I need you to play!” he said to the actress. That's how she played in the "Law of honor", "Storm".

Then, having traveled almost the entire Soviet Union, Faina Georgievna returns to Moscow. True, for two more seasons: in 1930 and 1931. Pavel Wolf and Ranevskaya are going to Baku. The first was invited to a pedagogical job, the second - to the Theater of Working Youth. Director Savchenko, thanks to his subtle vision of the true spirit of the classics, impressed the actress. She was no longer that naive girl who came to study theatrical art.

Faina Ranevskaya probably said more aphorisms about women than any classic playwright. There was fierce competition between theater actresses. Not always honest, sometimes harmful to art. However, Ranevskaya, thanks to her developed imaginative thinking, could bring to light with just one phrase, show who is who. Its characteristics are deep and figurative:

• a mixture of field bell and rattlesnake;
• against whom we are friends, girls (said to the actresses, whispering backstage);
• She doesn't have a face, she has a hoof.

She was imperiously attracted to the Moscow Art Theater. However, she began the conquest of Moscow with the Chamber Theater directed by Alexander Tairov. This time has not passed in vain. The philosophy of the maestro that the truth of art often does not coincide with the truth of life forced Ranevskaya to play in such a way that the audience felt the plot was part of their real life. The role of Zinka in Kulish's Pathetic Sonata made theater connoisseurs (for example, GITIS professor Golubovsky) speak of her as a star of the first magnitude.

In the Central, the actress Faina Ranevskaya first met the director, to whom she had an antipathy and with whom she subsequently had to work for many years. We are talking about Yuri Alexandrovich Zavadsky. “Well, what did Faina call me now?” - Zavadsky asked feignedly humbly. Indeed, Ranevskaya did not skimp on phrases, here are just a few:

• Gertrude (the director bore the title of Hero of Socialist Labor);
• Fluff (he was bald);
• midget, elongated in length (due to high growth).

And Zavadsky was also amorous, he fooled many of Ranevskaya's friends: Marina Tsvetaeva, daughter of Pavla Wolf. Indeed, there were good reasons for antipathy.

However, speaking objectively, Ranevskaya should have been grateful to Zavadsky for the fact that he actually saved all the actors of the troupe alive, having achieved the transfer of the theater to Rostov in 1936. Together with Ranevskaya there were Vyacheslav Plyatt, Pavel Wolf, Nikolai Mordvinov.

In the days of mourning after the death of Maxim Gorky, Ranevskaya fell for the first time and brilliantly to play the role of his Vassa Zheleznova (the play lay under the cloth for 25 years). Her game then shocked the entire theatrical Moscow. It would seem that dreams come true: she waited for the invitation of director Sudakov from the Maly Theater. However, the Soviet government did not welcome the movement of personnel on their initiative. Director Popov (Zavadsky gave him the position) staged a real persecution of the actress. The logic was classically soviet: “Today you are a flyer, and tomorrow you are an enemy of the people!” However, Ranevskaya still left! With a scandal, left homeless. Pavel Wulff rescued her again, sheltering her.

Theatrical bullying. Escape to cinema

The actress was left without the theater. Through the efforts of partocrats and intriguers, she never managed to climb the stage of the Maly Theater, where Gruzinsky and Gogoleva, Vladislavsky and Golovin shone. Again, she was begging, selling her things ... Faina Ranevskaya's jokes, aphorisms of that period are distinguished by chased sharpness. They really do. For example, this one, pictured below.

Faina Ranevskaya came to the cinema. She was invited by the director to play the role of Mrs. Loiseau in the silent film “Dumpling” based on the work of Maupassant. The actress was reverent towards high art, so she read the novel in the original and articulated in French on the set. whoever saw this was overjoyed. The tape was waiting for success in the world, the French even bought the film. The secondary heroine Mrs. Loizeau overshadowed the main character Pyshka! However, the one who played Pyshka became the Honored Artist of Russia.

Then Faina Georgievna had a cameo role as a priest in the film “The Thought about the Cossack Golota” directed by Savchenko. Ranevskaya was given freedom in constructing the image of the priest, which is absent in the original work. What happened? It turned out really funny. The film crew held their stomachs. The episode became the highlight of the film.

People's favorite

However, the real fame was brought to her by the role of Madame Skorokhod in the film “Foundling” (1939), which she hated because she poisoned her life. The cliche “Mulya, don’t make me nervous” was repeated even by L. I. Brezhnev, presenting her with the Order of Lenin. When the children once again followed her on the street, shouting this phrase, she turned around to them picturesquely and said: “PionEra, go to zh..u” (this phrase also became popular).

Why did Ranevskaya manage to play brilliantly? Perhaps, Irakli Andronnikov partially answered this, arguing that she managed to show in the role not only “the essence of man”, but also “personal attitude towards him”. From above, she was given a sense of how to deepen and develop the author's intention. In life - modest, unsettled, always doubting herself, Faina Georgievna brilliantly plays imperious, unceremonious, impudently cunning women.

Roles in films

In 1942, she starred in the film "Alexander Parkhomenko", brilliantly playing a textural taper: in the style of the matured Vera Kholodnaya, gnawing on a monk and smoking in a puff. In 1943, Ranevskaya returned to Moscow. There she plays many roles in the Drama Theater: starting with the grandmother of Oleg Koshevoy, ending with the wife of Professor Losev.

At this time, the capital's actors, hungry for work, are returning en masse from the evacuation. Faina Georgievna is filmed in the films “Man in a Case” and “Wedding” (1943), “Heavenly Slow-moving” (1945), “Elephant and Girl” (1946), “Engineer Kochin’s Mistake”, “Cinderella”, “Spring” (1947 ). On the set of "Spring" she meets Lyubov Orlova, who highly appreciated her game.

Cinderella director Yevgeny Schwartz allowed Ranevskaya, to her delight, to edit the role of the stepmother as she pleased. And she brought her own know-how into this role: “fairy-tale swine”, which is based on a “network of the right people”, and such that “the king will envy”.

She came to the cinema relatively late, already a well-known theater actress, at the age of 38. Her only main role in the film "Dream" was so remembered by the audience that they did not let her pass on the street, enthusiastically reciting: "Mulya, don't make me nervous!" Ranevskaya's aphorisms were replenished with this meaningless phrase, which became synonymous with the henpecked man.

Many connoisseurs of her talent wonder why she has so few film credits? She herself answered this question with a short, polished phrase: "To act in a bad film means to spit in eternity!"

Confrontation: actress Ranevskaya and director Zavadsky

In 1949, director Zavadsky invited Faina Ranevskaya to his theater. Spectators went “to Ranevskaya”. Her roles graced the performances of "Vanity Fair" and "Storm". But once Zavadsky threw out her episode from the play “Storm” in favor of the prima of the theater, his ex-wife Vera Maretskaya. Of course, Faina Georgievna was offended. Her stay at the Moscow Art Theater was by no means cloudless. It's no secret that Faina Georgievna felt and understood art more subtle and multifaceted than the person who led her - the director of the Moscow Art Theater Zavadsky. Their verbal duels, taking place over decades, were like a bullfight. The reason is clear: the director did not want to recognize the primacy of Faina Georgievna, and she, in turn, could not "lower her bar." Be that as it may, but the book of aphorisms by Faina Ranevskaya also includes these pearls of hers:

She changed theaters (Pushkinsky, Moscow City Council, Red Army, Maly Theater, Drama Theater). She performed in many cities of the USSR. However, she nevertheless returned to the Moscow City Council Theater, where she worked until her farewell (at the age of 86) benefit performance in a play where Rostislav Plyatt was her partner.

In the last decade of her stage activity, Ranevskaya faced such a phenomenon as an overly free interpretation of the classics by directors and half-educated actors. She quite motivatedly declared the dangers of such an approach and called it barbarism, when, for example, the content of the work of the same Ostrovsky was deformed on stage.

Actress philosopher

In addition to acting talent, she was given by God and another talent, philosophical - the ability to think figuratively and formulate an idea. Faina Ranevskaya's quotes and aphorisms are sometimes even rude, but surprisingly accurate. According to her, Good should be active, and the Truth should be said straight to the eye. Her expressions were born in different ways, many of which later became winged among the people. Most often immediately, immediately and precisely in the context of the life situation that initiated them. Her wit was innate, it was like a reflex (modern experts consider the actress's IQ to be extremely high).

Faina Georgievna, in principle, did not accept compromises, and always openly responded with powerful charismatic phrases to rudeness or meanness in her address. As an actress, she had one strong trait that everyone had to reckon with: turning a bit part into a masterpiece. Therefore, the directors, who secretly wanted to limit her on stage, because of such a game, were still forced to give her roles again. After all, the audience went to the theater because of Faina! She alone was able to replace the entire troupe. There are cases when, during an unfinished performance in which an actress finished playing her local episode, the audience, after watching the performance of a great actress, simply got up and left.

Loneliness

Ranevskaya's aphorisms about life are mostly sad. And what else should they be? Fate left her alone, without relatives. She never married and had no children. Therefore, she built her own destiny, completely unlike anyone else's. Faina Ranevskaya was laconic when it was about her personally. However, it is known that she did not like men. The feelings for the opposite sex that arose twice in her childhood and youth collided with rudeness and impudence. For the first time, when a schoolboy boy invited her and his real friend on a date at the same time, Faina, crying, only told them: “God will punish you!”

While working at the Mono Theater, she fell in love with the leading actor. He himself made an appointment at her house. However, he appeared there drunk and with a walking woman. After this episode, Faina drew a line under her relationships with men.

How did her relationship develop with her colleagues in the artistic workshop? Completely different. However, she always remained kindly ironic. Ranevskaya's aphorisms about men are known, in which she teases them for their frivolity and illegibility in the choice of girlfriends. Art biographers name the women close to her: Pavel Wolf and Anna Akhmatova.

However, according to biographers, Ranevskaya had connections with men and even pregnancies, but she interrupted them, adjusting to the everyday life of the Theater. And so old age came: not warmed by the laughter of grandchildren, not happy with the arrivals of children.

Death that shook the country

After the death of close friends - Pavla Wolf and Anna Akhmatova - Faina Ranevskaya lived the most terrible, final act of the tragedy, where she was the main actress.

On the wall of her favorite room, combined with an office and a living room, there were portraits of people she knew and respected: Maya Plisetskaya, Maria Babanova, Anna Akhmatova, Vladimir Mayakovsky.

When she could still walk, she picked up a half-frozen mongrel and sheltered her in her apartment. There was another consolation: a volume of the most beloved poet - Pushkin. Terrible, terrible loneliness.

One day, a woman looking after an 86-year-old actress, entering the apartment, found her dead, and a dog howled with grief nearby.

Conclusion

Faina Georgievna Ranevskaya herself complained that she was realized in her work by only 1% out of 100% possible. In art, she was an absolute maximalist, as evidenced by her aphorisms. Ranevskaya the actress was characterized by such a trait as constant creative dissatisfaction with the level of her personal performance of roles. Perhaps that is why her level of interpretation of the role was an order of magnitude higher than the depth of the director's settings. Unfortunately, often the latter, having organizational power, were literally jealous of the unique actress for art, dooming her role to episodes. Faina Ranevskaya's quotes and aphorisms testify to the unspent energy of the unique actress on the stage...

The great actress Faina Ranevskaya is known for all her characteristic behavior. Thanks to her pronounced Semitic features, Ranevskaya, according to Bolshakov, looked very impressive in close-ups. Although she did not play a great role in the world repertoire, the Encyclopædia Britannica still included her name in the ranking of the ten great actors of the 20th century.

There are many biographies written by different authors, stories of followers and contemporaries. But to feel the true character and nature of Faina Georgievna is possible only in her expressions and remarks. She never hesitated to speak openly about her opinion, one might say, she saw people through and through. That is why this selection of Faina Ranevskaya's quotes about men will allow you to get to know her a little closer.

Once Ranevskaya slipped on the street and fell. An unfamiliar man was walking towards her.
- Pick me up! - asked Ranevskaya. - Folk artists on the road do not roll ...

If a woman tells a man that he is the smartest, then she understands that she will not find another such fool.

"A real man is a man who remembers a woman's birthday exactly and never knows how old she is."
A man who never remembers a woman's birthday, but knows exactly how old she is, is her husband.

Ranevskaya was asked: “Why are beautiful women more successful than smart ones?”
To which Ranevskaya replied: “It’s obvious - after all, there are very few blind men, and there are a dime a dozen stupid ones.”

Women are smarter than men. Have you ever heard of a woman who would lose her head just because a man has beautiful legs?

Some man pushed Ranevskaya walking down the street, and even cursed with dirty words. Faina Georgievna told him:
- For a number of reasons, I cannot now answer you with the words you use. But I sincerely hope that when you return home, your mother will jump out of the gateway and bite you properly.

Life is too short to waste it on diets, greedy men and bad moods.

Why do women devote so much time and money to their appearance, and not to the development of intelligence?
- Because there are far fewer blind men than smart ones.

The union of a stupid man and a stupid woman gives birth to the heroine mother. The union of a stupid woman and a smart man creates a single mother. The union of a smart woman and a stupid man gives rise to an ordinary family. The union of a smart man and a smart woman gives rise to easy flirting.

How many times does a woman blush in her life?
- Four times: on the wedding night, when she cheats on her husband for the first time, when she takes money for the first time, when she gives money for the first time.
- And the man?
- Twice: the first time when the second cannot, the second when the first cannot.

About Lenin: “You know, when I saw this bald man on an armored car, I realized that we were in big trouble.”

About director Y. Zavadsky: "He will die from the expansion of fantasy."

Ranevskaya was asked:
- How do you feel, Faina Georgievna?
- It hurts the liver, heart, legs, head. Well, I'm not a man, otherwise the prostate would get sick.

A boy and a girl are sitting on a bench. The young man is very shy. The girl wants him to kiss her, and she says:
- Oh, my cheek hurts.
The young man kisses her on the cheek.
- Well, how does it hurt now?
- No, it doesn't hurt.
Over time:
- Oh, my neck hurts.
He kissed her on the neck:
- Well, does it hurt?
- No, it doesn't hurt.
Ranevskaya sits nearby and asks:
- Young man, you don't treat hemorrhoids?!

Men from the beginning of days to their end are drawn for a boob.

Faina Ranevskaya is not just a great actress, but also a person with a capital letter. There is a lot of instructive in her statements, which will make it possible to separate the real from the artificial in life.

Faina Georgievna Ranevskaya- famous and popular Soviet theater and film actress.
Today, many critics and journalists consider her one of the greatest Russian actresses of the 20th century.
She has about 30 films and countless performances to her credit.
In 1992, the English encyclopedia "Who's Who" included her in the list of the ten most outstanding actresses of the 20th century.
But there is another distinguishing feature by which the actress was remembered by millions - these are the sayings, quotes and aphorisms of Ranevskaya. They instantly became winged and dispersed throughout the country and beyond.
And even many years after years, after she was gone, these words do not lose their relevance!

We present you the best phrases and quotes by Faina Ranevskaya. There are more than a hundred of them:

1. I do not know how to express strong feelings, although I can express myself strongly.

2. Family replaces everything. Therefore, before starting it, you should think about what is more important to you: everything or family.

3. I noticed that if you do not eat bread, sugar, fatty meat, do not drink beer with fish
- the muzzle becomes smaller, but sadder.

4. My favorite disease is scabies: I scratched myself and still want to.
And the most hated is hemorrhoids: neither to see for yourself, nor to show people.

5. Ladies, don't lose weight. Do you need it? It’s better to be a ruddy donut in old age than a dried monkey!

6. Loneliness is when there is a telephone in the house, and the alarm clock rings.

7. All my life I have swum in the toilet with a butterfly stroke.

8. The soul is not an ass, it cannot shit.

9. In old age, the main thing is a sense of dignity, but I was deprived of it.

10. I was smart enough to live my life stupidly. I live only by myself - what self-restraint.

11. We were accustomed to single-celled words, scanty thoughts, play Ostrovsky after that!

12. On an empty stomach, a Russian person does not want to do anything and think, but on a full stomach, he cannot.

13. If the patient really wants to live, doctors are powerless.

14. It is very difficult to be a genius among boogers.

15. Horseradish, put on the opinions of others, provides a calm and happy life.

16. 85 years old with diabetes is not sugar.

17. I wish I had her legs - she had lovely legs! Too bad they're gone now.
18. A fairy tale is when he married a frog, and she turned out to be a princess. A true story is when the opposite is true.
19. Tolstoy said that there is no death, but there is love and memory of the heart. The memory of the heart is so painful, it would be better if it did not exist ... It would be better to kill the memory forever.

20. Let idiots and clowns out of your life. The circus must tour.

21. Companion of glory - loneliness.

22. Getting old is boring, but it's the only way to live long.

23. Nothing but despair from the inability to change anything in my destiny.

24. Underneath the most beautiful peacock tail is the most common chicken ass. So less pathos, gentlemen.

25. I hate it when a bl * d pretends to be innocent!

26. Do you understand my shallow thought?

27. You need to live in such a way that you are remembered even by bastards.

28. Who would know my loneliness? Damn him, this same talent that made me unhappy...

29. All my life I have been terribly afraid of stupid people. Especially grandma.
You never know how to talk to them without falling to their level.

30. Understand once and for all that the character of your woman is a reflection of your attitude towards her.
For the dumb: it's not her bitch, it's you asshole.

31. I am like eggs: I participate, but I do not enter.

32. I hate cynicism for its public accessibility.

33. Why are all fools such women?

34. Eating alone is as unnatural as shitting together!

35. So that we can see how much we overeat, our stomach is located on the same side as the eyes.

36. Talent is like a wart - you either have it or you don't.

37. What kind of world? How many idiots around, how fun they are!

38. It has always been incomprehensible to me - people are ashamed of poverty and not ashamed of wealth.

39. A woman, in order to succeed in life, must have two qualities.
She must be smart enough to please stupid men
and 40. is stupid enough to please smart men.

41. If a woman tells a man that he is the smartest,
it means that she understands that she will not find another such fool.

42. God made women beautiful so that men could love them, and stupid so that they could love men.

43. Life passes and does not bow like an angry neighbor.

44. Pioneers, go to hell.

45. Many complain about their appearance, and no one complains about their brains.

46. ​​Terribly sad my life...
and you want me to stick a lilac bush in my ass and do a striptease in front of you!

47. God seems to love the sufferers. Have you ever seen a happy genius?
No, everyone was ruffled by life, like a blade of grass in the wind.
Happiness is a concept for average citizens in all respects, and there is no justice here.

48. Loneliness as a condition is not treatable.

49. Animals, which are few, were listed in the Red Book, and which are many - in the Book of Tasty and Healthy Food.

50. There are two, at most three thoughts in my old head, but at times they raise such a fuss that it seems there are thousands of them.

51. You can't learn to be an artist. You can develop your talent
learn to speak, express yourself, but shake - no. To do this, one must be born with the nature of an actor.

52. Do you know what it's like to act in films?
Imagine that you are washing in a bathhouse, and a tour is being led there.

53. Success is the only unforgivable sin in relation to your loved one.

54. Life is a long jump from n * zdy to the grave.

55. Making a bad movie is like spitting into eternity!

56. Honey, if you want to lose weight, eat naked and in front of a mirror.

57. There is such love that it is better to immediately replace it with execution.

58. For a number of reasons, I cannot now answer you in the words you use.
But I sincerely hope that when you get home,
your mother will jump out of the gateway and bite you properly.

59. I'm like an old palm tree at the station - no one needs it, but it's a pity to throw it away.

60. No one, except for dead leaders, wants to endure my idly dangling breasts.

61. I spoke for a long time and unconvincingly, as if I were talking about the friendship of peoples.

62. Women are not the weaker sex, the weaker sex is rotten boards.

63. For an actress, there are no disadvantages if it is necessary for the role.

64. If I often looked into the eyes of Gioconda,
I would go crazy: she knows everything about me, and I know nothing about her.

65. I can't eat meat. It walked, loved, looked ... Maybe I'm a psychopath?
No, I consider myself a normal psychopath. But I can't eat meat. I keep meat for people.

66. The second half is in the brain, ass and pills. And I am whole.

67. A child from the first grade of school should be taught the science of loneliness.

68. Loneliness is a state about which there is no one to tell.

70. Spelling errors in a letter are like a bug on a white blouse.

71. Sclerosis cannot be cured, but it can be forgotten.

72. Thoughts are drawn to the beginning of life, which means that life is coming to an end.

73. To get recognition - it is necessary, even necessary, to die.

74. Lesbianism, homosexuality, masochism, sadism are not perversions.
There are, in fact, only two perversions: field hockey and ballet on ice.

75. Beautiful people shit too.

76. There are people who just want to approach and ask if it is difficult to live without brains.

77. Now I looked at the photo for a long time - the eyes of the dog are surprisingly humane.
I love them, they are smart and kind, but people make them evil.

78. My God, how old I am - I still remember decent people!

79. Women die later than men because they are always late.

80. I do not recognize the word "play". You can play cards, horse races, checkers. You have to live on the stage.

81. I'm tired of pretending to be healthy.

82. Do you know, honey, what is shit? So it is in comparison with my life - jam.

83. Something hasn't been told to me for a long time that I'm a whore. Losing popularity.

84. Everything pleasant in this world is either harmful, or immoral, or leads to obesity.

85. Life is too short to spend it on diets, greedy men and bad moods.

86. The main thing is to live a living life, and not to fumble through the back streets of memory.

87. My God, an unfortunate country where a person cannot dispose of his ass.

88. Men from the beginning of days to their end are drawn for a boob.

89. I hate you. Everywhere I go, everyone looks around and says:
"Look, this is Mulya, don't annoy me, she's coming."

90. You can't fart happily with a sad ass.

91. Everyone is free to dispose of his ass as he wants. So I pick mine up and fuck.

92. There are no fat women, there are small clothes.

93. When I die, bury me and write on the monument: "Died of disgust."

94. Either I'm getting old and stupid, or today's youth is not like anything!
Before, I just didn’t know how to answer their questions, and now I don’t even understand what they are asking about.

95. I don't get along with life! Money interferes with me both when it is not there and when it is.

96. I receive letters: "Help me become an actor." I answer: "God will help!".

97. Cinema is a barefoot establishment.

98. How I envy the brainless!

99. Old age is a time when candles on a birthday cake cost more than the cake itself, and half of the urine goes to tests.

100. There are a million fans, but there is no one to go to the pharmacy.

101. There are people in whom God lives; There are people in whom the devil lives;
And there are people that live only worms.

102. When a jumper's legs hurt, she jumps while sitting.

103. Women are, of course, smarter. Have you ever heard of a woman
who would lose her head just because a man has beautiful legs?

104. Pee-wee in a tram - all he did in art.

105. I feel myself, but badly.

106. Health is when you have pain in a different place every day.

108. Talent is self-doubt and painful dissatisfaction with yourself and your shortcomings,
something I've never seen in mediocrity.

109. I am watching this film for the fourth time and I must tell you that today the actors played like never before.

110. I am a provincial actress. Wherever I served!
Only in the city of Vezdesransk did not serve!

111. If you have a person to whom you can tell dreams, you have no right to consider yourself lonely...

112. Cursed nineteenth century, cursed upbringing: I can't stand when men are sitting.

113. Oh, those obnoxious journalists! Half of the lies they spread about me are not true.

114. People are like candles: they either burn or fuck them up.

115. Let it be a little gossip that should disappear between us.

116. He will die from the expansion of fantasy.

117. I lived with many theaters, but never enjoyed it.

118. Life is a short walk before eternal sleep.

119. Old age is not bad dreams, but bad reality.

120. It is better to be a good person, "swearing" than a quiet, well-mannered creature.

121. I am already so old that I began to forget my own memoirs.

122. In the theater, talented people loved me, mediocre people hated me, mongrels bit me and tore me to pieces.

123. March 8 is my personal disaster.
With each postcard in flowers and bows, I pull out a tuft of hair from grief that I was not born a man.

124. Everything will come true, one has only to lose desire...

125. Do not have a hundred rubles, but have two breasts!

126. Old age is just disgusting. I believe this is the ignorance of God,
when it allows you to live to old age. Lord, everyone is already gone, but I still live.
Birman - and she died, and I did not expect this from her.
It's scary when you're eighteen inside, when you admire beautiful music, poetry, painting,
and it’s time for you, you haven’t done anything, but you’re just starting to live!

127. A person's passport is his misfortune, because a person must always be eighteen, and a passport only reminds you that you can live like an eighteen year old.

128. The union of a stupid man and a stupid woman creates a mother-heroine.
The union of a stupid woman and a smart man creates a single mother.
The union of a smart woman and a stupid man gives rise to an ordinary family.
The union of a smart man and a smart woman gives rise to easy flirting.

Faina Ranevskaya quotes and aphorisms about men left witty enough. Faina Ranevskaya's quotes about men, about love and family are collected in this article.

Faina Ranevskaya's statements about men

A real man is a man who remembers a woman's birthday exactly and never knows how old she is. A man who never remembers a woman's birthday but knows exactly how old she is is her husband.

Why do women devote so much time and money to their appearance, and not to the development of intelligence?
- Because there are far fewer blind men than smart ones.

Men from the beginning of days to their end are drawn for a boob.

If a woman calls a man the smartest, then she understands that she cannot find another such fool.

God made women beautiful so that men could love them, and stupid so that they could love men.

Faina Ranevskaya's statements about the second half

“Only the pill, the brain and the ass have a second half - I am originally whole.”

Faina Ranevskaya's quotes about love

Family replaces everything. Therefore, before you start it, you should think about what is more important to you: everything or family.

A fairy tale is when he married a frog, and she turned out to be a princess. A true story is when the opposite is true.

The union of a stupid man and a stupid woman gives birth to the heroine mother. The union of a stupid woman and a smart man creates a single mother. The union of a smart woman and a stupid man gives rise to an ordinary family. The union of a smart man and a smart woman gives rise to easy flirting.

depositphotos.com

Women are smarter than men. Have you ever heard of a woman who would lose her head just because a man has beautiful legs?

If a woman walks with her head down, she has a lover! If a woman walks with her head held high, she has a lover! If a woman keeps her head straight - she has a lover! And in general - if a woman has a head, then she has a lover!

There are people in whom God lives, there are people in whom the devil lives, and there are people in whom only worms live.

Family replaces everything. Therefore, before you start it, you should think about what is more important to you: everything or family.

God made women beautiful so that men could love them, and stupid so that they could love men.

kino-teatr.ru

The myth that women only need money was invented by men who have no money ...

If the patient really wants to live, doctors are powerless.

There are no fat women, there are tight clothes.

Better a good swearing person than a quiet well-mannered bastard.

If suddenly you become bad for someone, then a lot of good has been done for this person!!!

There are people who just want to approach and ask if it is difficult to live without brains ...

Sclerosis cannot be cured, but it can be forgotten.

Life is too short to spoil it with diets, greedy men and bad moods!

kino-teatr.ru

A black cat is not at all interested in what gray mice say about her !!!

Ladies, do not lose weight ... You need it ... It’s better to be a ruddy donut in old age than a dried monkey ...

Only the pill, the brain and the ass have a second half. I am completely whole!!!

Women are not the weaker sex, the weaker sex is rotten boards under your feet!

Women die later than men because they are always late...

Faina Ranevskaya - Soviet theater and film actress. Modern journalists call her "one of the greatest Russian actresses of the 20th century" and "Queen of the second plan". In the modern public consciousness, Ranevskaya is most often associated with many of her own aphorisms. Despite the small, sometimes episodic, images, viewers and directors remembered the actress. She did not play in the cinema as often as in the theater, saying that “the money is eaten, but the shame remains.”